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Topic: The HISTORY of X-MEN ELSEWHEN Post ReplyPost New Topic
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Brennan Voboril
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Joined: 15 January 2011
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Posted: 25 October 2018 at 2:54pm | IP Logged | 1 post reply

I've always liked the quiet scenes you draw JB: those of houses, furniture, drapery, etc.  They're just gorgeous. 
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Peter Martin
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Joined: 17 March 2008
Location: Canada
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Posted: 25 October 2018 at 3:23pm | IP Logged | 2 post reply

Beautiful pages, JB! The quality of the drawing on the faces, particularly on that second page, and the backgrounds... it's all sky high.

I want to read this story.
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Jeffrey Rice
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Joined: 10 September 2011
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Posted: 25 October 2018 at 4:19pm | IP Logged | 3 post reply

Holy Moley! More stuff. Who are those people? Why are they there? Ack!

Agree with the station. Dead on suburban station. The catenary engineer I work with would approve!

I really like the van. Makes more sense than a limo.
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Laren Farmer
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Joined: 16 April 2004
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Posted: 25 October 2018 at 4:22pm | IP Logged | 4 post reply

Love it. 
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Darren Taylor
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Joined: 22 April 2004
Location: Scotland
Posts: 6042
Posted: 25 October 2018 at 4:28pm | IP Logged | 5 post reply

Wow! Wonderful work.
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John Byrne
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Joined: 11 May 2005
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Posted: 25 October 2018 at 4:48pm | IP Logged | 6 post reply

I've always liked the quiet scenes you draw JB: those of houses, furniture, drapery, etc. They're just gorgeous.

•••

For which, much thanks!

When I was starting out, I knew I would never haver the power of Jack Kirby, or the quirkinesses of Steve Ditko, or the elegance of Joe Kubert, the photorealism of Neal Adams—but I had to have something to call my own.

I’m a masochist, so I chose one of the hardest things to pull off in comics: subtleties. The turn of a wrist. A raised eyebrow. And the bits of business that build backgrounds most readers won’t even notice, but create verisimilitude.

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Brennan Voboril
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Joined: 15 January 2011
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Posted: 25 October 2018 at 5:29pm | IP Logged | 7 post reply

Well you nailed it because I can go over much of your later work - it was there in the beginning but not to the level of what you later became - and see those subtleties done like few others have.  

Edited by Brennan Voboril on 25 October 2018 at 5:30pm
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Nathan Greno
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Joined: 20 April 2006
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Posted: 25 October 2018 at 5:57pm | IP Logged | 8 post reply


After all these years, it's kinda mind-blowing to see a continuation of this... 

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Luke Smyth
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Joined: 16 April 2004
Location: Ireland
Posts: 792
Posted: 25 October 2018 at 6:03pm | IP Logged | 9 post reply

Beautiful pencils and quite a tease.

Speaking of “1980”, do you have any recollection of the X-Men Colour
album you were going to do with Chris and Terry around the time of
issue 137?
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John Byrne
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Joined: 11 May 2005
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Posted: 25 October 2018 at 6:41pm | IP Logged | 10 post reply

After all these years, it's kinda mind-blowing to see a continuation of this... 

•••

Marvel did follow up on it, years later. Not too well, as I recall.

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Tim O Neill
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Joined: 16 April 2004
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Posted: 25 October 2018 at 7:15pm | IP Logged | 11 post reply



Excellent pages!!! Thanks for the peek, JB!!

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Mike Baswell
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Joined: 02 May 2004
Location: United States
Posts: 1999
Posted: 25 October 2018 at 8:00pm | IP Logged | 12 post reply

"Man! Just the subtle detail of the weeds growing through the tracks - a lot of artists wouldn't think of that..."

And is that a lonely aluminum can I spy lying there between the rails as well? Outstanding!
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