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Mike Howell Byrne Robotics Member

Joined: 10 August 2006 Location: Canada Posts: 528
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Posted: 18 June 2009 at 11:35am | IP Logged | 1
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Simon, as it's against the rules to answer a question/post directed at someone before they have the chance to, I've been waiting for Erik to reply. Now that he has, here is some data I've been looking up for you. I used the site that I posted a link for.
I searched for Erik's orginal statement on how Savage Dragon sells.
A real comic book company is publishing SAVAGE DRAGON-- so I guess the answer is yes--they would keep it alive. It's still selling better than numerous titles from Marvel, DC, Dark Horse and IDW--or are those not "real" comic book publishers either?
I went back 6 months to see how Savage Dragon placed in the top 300 books..
May 2009 - Savage Dragon #148 was 220th.
April 2009 - Savage Dragon #147 & #146 were 249th & 252th, combined sales would have made it 162nd.
March 2009 - No new issue, a variant cover of #145 came out and was 277th.
February 2009 - Savage Dragon #145 was 86th.
January 2009 - Savage Dragon #144 was 206nd
December 2008 - Savage Dragon #143 & #142 were 274th & 269th, combines sales would have made it 197th.
Now if it will help you, as I find time through the day I can find how many books below the number sold by Savage Dragon were varients/reprints/multiple printings etc. I read sale charts anyway and I always find something interesting so I wouldn't be put out. Plus with the way they archive past months, it's all laid out in front of me with little searching needed.
However I think that would only be useful as new information and it's not really related to Erik's initial statement. When Marvel or DC put out a press release saying they sold the number 1 selling book in the top 300, they don't add, "Well except of that 300, 11 were reprints and 8 were from a kids line and 23 were new covers so we really were number 1 in the top 258 new books published." Same thing here. Erik said that Savage Dragon sells better than numerous titles. I think based on what I have found over the last 6 months, it's an accurate statement.
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Keith Thomas Byrne Robotics Member

Joined: 06 April 2009 Location: United States Posts: 3082
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Posted: 18 June 2009 at 11:43am | IP Logged | 2
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You and they are among those few. The majority of fans
don't know who Paul Smith is or what he's done. Paul
stopped drawing the X-Men in 1983-- that's over 25 years
ago! That's a long time. The majority also doesn't know
that I ever drew Spider-Man. For a lot of readers--
that's all ancient history. A lot of readers don't know
that John Romita Jr. ever drew the X-Men or even
Daredevil or Iron Man. Don't assume that just because you
know something--that everybody else does.
I didn't that's why I used the opinions of other people
to guage what they know. Amazing though that you know
what the majority of fans think. You'd think someone with
that knowledge could use it to increase sales of their
book.
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Matt Reed Byrne Robotics Security
Robotmod
Joined: 16 April 2004 Posts: 36378
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Posted: 18 June 2009 at 11:45am | IP Logged | 3
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Cheap shot.
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Matt Hawes Byrne Robotics Member

Joined: 16 April 2004 Location: United States Posts: 16615
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Posted: 18 June 2009 at 11:57am | IP Logged | 4
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Chris Abel wrote:
...That's not what Liefeld originally did. He took his unused art from the Heroes Reborn Captain America and made some changes to the art and solicited it as AGENT: AMERICA who coincidentally had a female sidekick and an arch enemy call the Iron Skull. Marvel sued and Liefeld licensed FIGHTING AMERICAN from Kirby and changed the artwork again as an end run around the lawsuit... |
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Liefeld licensed Fighting American from Joe Simon, but otherwise that's pretty much the way I remember things. I still have a couple of promotional posters with Agent America that was sent to my shop. Those posters have Nazis, a Red Skull look-a-like, a MODOK look-a-like, the female Bucky look-a-like and the Captain America-like sheild on them.
As I recall, Liefled won in the lawsuit filed against him by Marvel only because of that deal with Joe Simon, and that Liefeld had to agree to change some minor things about the character, like the color on the cuffs of Fighting American/Agent America's uniform, and ditching the sheild.
I remember one promo poster with Agent America had the character pointing and saying, "It's not over until I say it's over!" I still think that was Liefeld's way of taking a shot at the lawsuit with Marvel, but I may just be reading that into the thing.
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Erik Larsen Byrne Robotics Member

Joined: 19 February 2008 Location: United States Posts: 344
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Posted: 18 June 2009 at 12:02pm | IP Logged | 5
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Andrew Goletz wrote:
Creator's rights doesn't have anything to do with what types of books are
being published or whether the titles can be canceled or allowed to stick
around. It pertains to whether the creators have creative control and
ownership over their work, which they do at Image.
Whether the newer books were canceled because of deadlines, poor sales
or the publishers didn't like the books doesn't mean they weren't
standing up for creators. They let those creators keep the rights to the
characters they created after they left image and they were free to take
those characters elsewhere. |
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Exactly.
And, I know some of this stuff seems a bit arbitrary and unfair--but it's
really not as cut and dried as all that. We were building a company. If you
were building a house you'd have certain expectations from your
subcontractors. If somebody started painting the house puke green you
might say, "Hey--what's up with that? That's not the kind of painting that
I expected from you--you painted the Johnson place and it looked
beautiful--what's the deal here?" Chances are you wouldn't just roll over
and say, "Well, I did hire him--I guess he can do whatever he wants."
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Wallace Sellars Byrne Robotics Member

Joined: 01 May 2004 Location: United States Posts: 17742
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Posted: 18 June 2009 at 12:03pm | IP Logged | 6
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As I recall, Liefled won in the lawsuit filed against him by Marvel only because of that deal with Joe Simon, and that Liefeld had to agree to change some minor things about the character, like the color on the cuffs of Fighting American/Agent America's uniform, and ditching the sheild. --- I thought he got to keep the shield, but it couldn't be thrown.
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 134770
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Posted: 18 June 2009 at 12:04pm | IP Logged | 7
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…up until Liefeld published his version FIGHTING AMERICAN never had a shield.•• The original FIGHTING AMERICAN was also a humorous title, light hearted and tongue firmly in cheek. If that's what Liefeld's was supposed to be -- well, I shudder at the thought!
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Peter Svensson Byrne Robotics Member

Joined: 30 January 2005 Location: United States Posts: 1470
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Posted: 18 June 2009 at 12:11pm | IP Logged | 8
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Is it time to pull out the Supreme anecdote JB?
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Eric Lund Byrne Robotics Member

Joined: 15 April 2004 Location: United States Posts: 2074
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Posted: 18 June 2009 at 12:14pm | IP Logged | 9
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Liefeld pretty much build his career at Image shamelessly ripping off other peoples ideas and character concepts... Too many to name.. but it surprises me that somthing founded on "creative freedom" really just turned into "how many ways can we rip off the X-Men or DC characters"... They had an analog to almost everybody, Superman, Shazam, Lobo, etc. ad-nauseum, ad-infinitum...
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 134770
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Posted: 18 June 2009 at 12:15pm | IP Logged | 10
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…Lobo…
••
In the words of Alan Sherman, a genuine copy of a fake Dior.
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Erik Larsen Byrne Robotics Member

Joined: 19 February 2008 Location: United States Posts: 344
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Posted: 18 June 2009 at 12:21pm | IP Logged | 11
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John Byrne wrote:
When Marvel lets titles come out late, the people on this board get up in arms and complain about a lack of professionalism. But Image canceling a few titles for being chronically late over a decade ago is consistently used as evidence of their lack of professionalism. ••
Who said it was a lack of professionalism? The complaint is that Image set themselves up as the Great Champions of Creator's Rights -- then revealed that they were not by canceling late books created by other people. The Seven Little Shits were untouchable. |
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I'm not sure what Creators' Rights means to you. Based on what you said there--it sounds pretty vague and ill-defined. You seem to confuse Creators' Rights with something else entirely. The fact of the matter is that we did not infringe an anybody's rights. We didn't edit other creators' books. We didn't attach our names as co-owners. We didn't insist on sharing copyrights. These creators owned their work, wholly. All of their rights were intact.
Were different rules applied to others than were applied to us? Absolutely. That's how things work. We owned the company. They did not. You can feel free to take a dump on your own couch if you'd like but it's another thing entirely if an invited guest takes a dump on your couch. If you invite somebody to live with you--it doesn't entitle them to tear down walls and rearrange your alphabetically-organized action figures without asking permission to do so.
[edited to fix the strange funky formatting in Firefox]
Edited by Jeff Fettes on 18 June 2009 at 6:30pm
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Trevor Giberson Byrne Robotics Chronology

Joined: 16 April 2004 Posts: 1888
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Posted: 18 June 2009 at 12:23pm | IP Logged | 12
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Eric Lund wrote:
Liefeld pretty much build his career at Image shamelessly ripping off
other peoples ideas and character concepts... Too many to name.. but it
surprises me that somthing founded on "creative freedom" really just
turned into "how many ways can we rip off the X-Men or DC
characters"... They had an analog to almost everybody, Superman,
Shazam, Lobo, etc. ad-nauseum, ad-infinitum... |
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I've read the vast majority of the Savage Dragon run. There are a lot of pastiche characters that pop in and out of the series. However, they are not the focus of the series, nor why the book is good. And make no mistake, the book is very, very good.
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