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Dave Farabee Byrne Robotics Member
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Joined: 01 September 2004 Posts: 981
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Posted: 29 November 2005 at 6:29pm | IP Logged | 1
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QUOTE:
Growing up in the 80s and 90s, I know many fans at the time enjoyed that part of Marvel-where it might snow for a couple of panels in Spider-man and he'd say "Weird for it to snow in July" and there'd be an asterisk which would say*
*Check out The Mighty Thor # 396 to see which dastarly villain pulled that off-Sneaky Stan |
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It's true. Though I'd rather have continuity-lite than the hair-pulling complexity of the current DCU crossovers, I loved that bit of spillover from THOR into all the other titles. What was cool was that it was just a fun thing - a tease for THOR and the Marvel Universe as a "real" place, but not a crossover that required the reader pick up any books. But it must've been pretty well planned, because I remember the West Coast Avengers actually devoting several pages to doing some superheroic snow-cleaning off the freeways.
So, yeah, I'd prefer a shared-universe where this kind of stuff happened occasionally, but I'd be willing to give it up if it inevitably led to continuity obsessiveness.
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Dave Farabee Byrne Robotics Member
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Joined: 01 September 2004 Posts: 981
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Posted: 29 November 2005 at 6:30pm | IP Logged | 2
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QUOTE:
It used to be a neat way to say: this hero has cool powers and his own comic, have you checked it out? |
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I think that's the key: that these old bits were all fun enticements, not obsessive imperatives.
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Victor Rodgers Byrne Robotics Member

Joined: 26 December 2004 Posts: 3508
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Posted: 29 November 2005 at 6:33pm | IP Logged | 3
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QUOTE:
Well, I just loved it when Dark Phoenix rose and Doc Strange, Spider-Man, other guys all got their alarm bells ringing.
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Actually that was explained in the story. The cops called the Avengers for help, but Beast decided not to tell the Avengers about it.
QUOTE:
This stuff that's going on is important, man!!! When the Avengers clashed with the Defenders, even Dracula sensed the ripples!
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Nothing as major as what happened in that X-Men story happened during the Avengers/Defenders storyline.
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Flavio Sapha Byrne Robotics Member

Joined: 16 April 2004 Location: Brazil Posts: 12912
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Posted: 29 November 2005 at 6:34pm | IP Logged | 4
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I guess INFERNO pushed it a bit too far. Yet, some of the best stories were
Daredevil's, not in the mutant titles.
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Mike Bunge Byrne Robotics Member

Joined: 10 June 2004 Location: United States Posts: 1335
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Posted: 29 November 2005 at 6:35pm | IP Logged | 5
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"The "shared universe" concept shouldn't go much further than having permission to occassionally use a character from Comic A in Comic B."
But if you're going to have a "shared universe", and you're going to sell that concept to fans, when you don't live up to it that can have negative consequences on reading enjoyment.
I feel that for all it's other possible flaws, Kurt Busiek's looooong "Kang War" storyline in AVENGERS was fatally undercut when the rest of the Marvel Universe simply ignored it. That was a "big" storyline where one of the main selling points was how "big" it was. Yet, month after month, the events in AVENGERS never had any affect on any other Marvel title. I think even some of the Avengers' respective solo titles ignored the Kang War and its aftereffects.
Now, that's not a problem if you just read AVENGERS or just read other Marvel books. But if you read both AVENGERS and other Marvel books, it was hard to take the Kang War as seriously as it demanded because every other other Marvel book you read would remind you that nothing that happened in AVENGERS really had any lasting significance.
Imagine if the U.S. invades Iran, but the only news outlet that covers the war is ABC's NIGHTLINE. All other broadcast news programs ignore it, the cable news networks don't cover it and there's no mention of it on the radio or in any newspaper or news magazine. In the real world (hopefully), people would pay attention to NIGHTLINE and wonder what the heck's going with the rest of the media. When it happens in a fictional setting, you tend to wonder what the heck's wrong with the one when the many are ignoring it.
Mike
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Flavio Sapha Byrne Robotics Member

Joined: 16 April 2004 Location: Brazil Posts: 12912
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Posted: 29 November 2005 at 6:37pm | IP Logged | 6
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Like when Kulan Gath turned NYC into the hyborean age...
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Fabrice Renault Byrne Robotics Member

Joined: 15 April 2004 Location: France Posts: 3095
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Posted: 29 November 2005 at 6:39pm | IP Logged | 7
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As a kid, I remember buying lots of comics because of those "comics references boxes".
One issue of Spider-Man battling Tarantula had a reference of the last comic Tarantula appeared in.
One issue of Iron Man had the appearance of Justin Hammer with a reference of the last issue he appeared in.
Events in Marvel Team-up were connected with X-Men (Arcade, Living Monolith)
F.
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Flavio Sapha Byrne Robotics Member

Joined: 16 April 2004 Location: Brazil Posts: 12912
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Posted: 29 November 2005 at 6:40pm | IP Logged | 8
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Victor: In both examples, I am talking about characters who have some
extra-sensorial perception and "felt" that something was happening. To
borrow a line "a great disturbance in the Force".
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Thomas Mets Byrne Robotics Member

Joined: 05 September 2004 Location: United States Posts: 898
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Posted: 29 November 2005 at 6:48pm | IP Logged | 9
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Lately, I've been thinking that a big part of the problem originated at
Vertigo. I mean, circa 1986 the Comics aren't just for kids anymore
slogan marked the release of stuff such as MOS, LEGENDS, DKR, MAUS,
WATCHMEN, SWAMP THING, etc. Part of these, notably, JB's stuff, was all-
ages, but part was not, was actually aimed at older readers (QUESTION,
GREEN ARROW, SANDMAN). This wave of comics -most of which carried a
SUGGESTED FOR MATURE READERS label- culminated in the creation of
the Vertigo imprint. At the time, it was referred to as the "British
Invasion", because you had Grant Morrison, Neil Gaiman and, later, Mark
Millar, doing comics in the Alan Moore style - writer-driven!
Meanwhile, Marvel was going in the opposite direction, giving rope to the
"artists" who became the Image boys. All storytelling dies at dawn! Page
after page of pin-ups!
With the speculator implosion, it seems that the Vertigo school is on top
nowadays, but what worked for quirky, obscure characters aimed at older
audiences should never have been applied to the mainstream heroes.
********************************************************** *******************
Small observations, but I think Mark Millar came after the British
explosion, and the Happy Birthday bit would prevent me from saying MOS
is an All-Ages book.
Everyone wants to make a splash. Al ot of 'professionals' in the
field want to write a screenplay as opposed to a comic. Look at
the first couple of story arcs in ASTONISHING X-MEN and NEW AVENGERS.
There is no way humanly possible for those stories to have taken 6
issues to tell!
********************************************************** ****************
It happened. I guess Bendis, and Whedon are more than human.
(Stan Lee) is the one who started those boxes after all-which would
refer to past issues or even other comics/events. Different then the DC
approach I think.
*******************************************************.
He would sometimes refer to current events. I remember Foggy Nelson filling in for Matt Murdock in an Amazing Spider-Man issue.
This type of stuff was the exception, not the rule.
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Andrew W. Farago Byrne Robotics Member

Joined: 19 July 2005 Location: United States Posts: 4074
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Posted: 29 November 2005 at 6:52pm | IP Logged | 10
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Back when it was actually possible to buy most
Marvel books and keep up on everything that was
going on in them, the shared universe concept was
a lot of fun. You were rewarded for doing your
homework, in a sense, because you knew why the
Fantastic Four wasn't able to respond to Captain
America's emergency summons, or why Thor was
acting so strangely, or what caused that mysterious
blackout in Manhattan, but at the same time, you
didn't really miss out on anything if you weren't
obsessively following every Marvel book on the
racks.
Now that you can spend $10 a week and only walk
away with three comic books, I think editors are
downplaying the idea that you'll want to sample the
company's other books since what they really want is
for you to keep reading the one that you're already
buying. Late books have killed the shared universe
bit, too, since a few too many late storylines have
had their endings spoiled by tie-ins that shipped
before the big revelation issues. Editors today seem
to have their hands full as it is without checking in
with their co-workers to coordinate crossovers, even
if it's in the form of a one-panel teaser, unfortunately.
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Flavio Sapha Byrne Robotics Member

Joined: 16 April 2004 Location: Brazil Posts: 12912
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Posted: 29 November 2005 at 6:56pm | IP Logged | 11
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Who ARE editors today?
These guys don't seem to be able to do ANYTHING...
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Lance Hill Byrne Robotics Member

Joined: 22 April 2005 Posts: 991
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Posted: 29 November 2005 at 6:58pm | IP Logged | 12
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QUOTE:
Sometimes Stan did, sometimes he didn't. He is the one who started those boxes after all-which would refer to past issues or even other comics/events. Different then the DC approach I think.
It just made it seem like it was one big Universe. |
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Stan was very good at maintaining the illusion of a shared universe. But there were very few actual crossovers or tie-ins back in the 1960s, and when they did occur they were small.
QUOTE:
But if you're going to have a "shared universe", and you're going to sell that concept to fans, when you don't live up to it that can have negative consequences on reading enjoyment.
I feel that for all it's other possible flaws, Kurt Busiek's looooong "Kang War" storyline in AVENGERS was fatally undercut when the rest of the Marvel Universe simply ignored it. That was a "big" storyline where one of the main selling points was how "big" it was. Yet, month after month, the events in AVENGERS never had any affect on any other Marvel title. I think even some of the Avengers' respective solo titles ignored the Kang War and its aftereffects.
Now, that's not a problem if you just read AVENGERS or just read other Marvel books. But if you read both AVENGERS and other Marvel books, it was hard to take the Kang War as seriously as it demanded because every other other Marvel book you read would remind you that nothing that happened in AVENGERS really had any lasting significance. |
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As Eric pointed out earlier, this very same thing happened in the first Galactus story. Did the lack of Galactus references in Spider-Man, Daredevil, Avengers etc take away from the readers' enjoyments of the story back then I wonder?
QUOTE:
Imagine if the U.S. invades Iran, but the only news outlet that covers the war is ABC's NIGHTLINE. All other broadcast news programs ignore it, the cable news networks don't cover it and there's no mention of it on the radio or in any newspaper or news magazine. In the real world (hopefully), people would pay attention to NIGHTLINE and wonder what the heck's going with the rest of the media. When it happens in a fictional setting, you tend to wonder what the heck's wrong with the one when the many are ignoring it. |
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If you take the idea of a "shared universe" too literally. But each comic series is a comic series in its own right, even if part of a "shared universe". The comic itself should be a whole, not a part of grand group project.
Galactus wasn't mentioned in The Amazing Spider-Man back in the 1960s, but does this mean that Peter Parker wasn't concerned with Galactus? Not necessarily. It means that Peter Parker's thoughts on the Galactus incident weren't shown in his comic because they weren't relevent to the stories being told.
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