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Tim O Neill
Byrne Robotics Security
Joined: 16 April 2004
Location: United States
Posts: 10942
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| Posted: 20 June 2019 at 8:26am | IP Logged | 1
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The serialized, page a day approach is working really well with me. It's been a
blast to see dialogue bring pages that were a silent sneak peek come to life as
a full blown comic book, and seeing new pages is thrilling.
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005
Posts: 133563
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| Posted: 20 June 2019 at 9:01am | IP Logged | 2
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So many of these pages end with a panel that just demands that we turn the page! More comics should be like that.•• Goes back to my days of reading EAGLE, where stories were serialized one or two pages per week, each ending in a cliffhanger.
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Michael Penn
Byrne Robotics Member
Joined: 12 April 2006
Location: United States
Posts: 12767
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| Posted: 20 June 2019 at 9:21am | IP Logged | 3
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QUOTE:
| Claremont has brainwashed you. You’re seeking paragraphs of “inner monologs” obscuring the art and slowing the pace of the storytelling. |
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This rather inspires me to go back and re-read JB's X-MEN run ignoring virtually every thought balloon.
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Matt Hawes
Byrne Robotics Member
Joined: 16 April 2004
Location: United States
Posts: 16505
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| Posted: 20 June 2019 at 9:27am | IP Logged | 4
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JB wrote:
| ...Let’s see how bored you get after eight or 9 issues!... |
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I never got bored of your work before, and I don't see it happening this time, either.
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Matt Hawes
Byrne Robotics Member
Joined: 16 April 2004
Location: United States
Posts: 16505
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| Posted: 20 June 2019 at 9:30am | IP Logged | 5
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Michael Penn wrote:
| ...This rather inspires me to go back and re-read JB's X-MEN run ignoring virtually every thought balloon... |
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My older brother, as a child, never read the captions in comics. I wonder how much important information he missed that way, though.
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005
Posts: 133563
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| Posted: 20 June 2019 at 10:24am | IP Logged | 6
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There is a famous story of a Golden Age CAPTAIN MARVEL writer getting a haircut, and noticing that a kid waiting his turn was whipping through an issue at super speed. When he asked the kid how he was able to read so fast the kid told him he only read the top two panels on each page.
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Peter Martin
Byrne Robotics Member
Joined: 17 March 2008
Location: Canada
Posts: 15997
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| Posted: 20 June 2019 at 12:47pm | IP Logged | 7
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I remember as a child, I would buy my comics at the newsagent and on the walk home sort of peruse through, looking at whatever caught my eye, maybe reading some dialogue and there. When I got home, I'd read the comic fully and in order, but my initial dipping in would be pretty random and wasn't consumed as part of a narrative whole.
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Paul Go
Byrne Robotics Member
Joined: 19 April 2004
Location: United States
Posts: 1394
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| Posted: 20 June 2019 at 1:02pm | IP Logged | 8
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I really liked the description of Nightcrawler's teleportation sound as a "thunder clap" by Storm. And the growing "bamf" sound effect. Quite evocative!
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Brian Miller
Byrne Robotics Member
Joined: 28 July 2004
Location: United States
Posts: 31287
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| Posted: 20 June 2019 at 1:03pm | IP Logged | 9
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It wasn’t until the captions became inner dialogue that I started really reading all the captions.
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Leigh DJ Hunt
Byrne Robotics Member
Joined: 20 February 2008
Location: United Kingdom
Posts: 1570
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| Posted: 21 June 2019 at 8:05am | IP Logged | 10
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The dialogue feels really on-point. Not a single jarring moment so far - not that I was expecting any. Particularly liking hearing Kitty's 'voice' again and remembering a time when people weren't sure if Wolverine could survive a simple lightning strike!
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Robbie Moubert
Byrne Robotics Member
Evertonian
Joined: 16 April 2004
Location: United Kingdom
Posts: 1498
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| Posted: 21 June 2019 at 8:08am | IP Logged | 11
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You can't beat a bit of Byrne Tech!
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005
Posts: 133563
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| Posted: 21 June 2019 at 8:22am | IP Logged | 12
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I think I may have mentioned already that this particular machine is a recycling of a model I have used twice before. It turned up in STAR TREK NEW VISIONS as the alien device that turned Harry Mudd into a replica of James Kirk, and then again as the central control room of the Traveler's spaceship. Both times it was remapped for surface details. This time, I took the maps off, added some detail and moved some stuff around.Here's what it looks like in its "naked" form. 
This, of course, allows me to deal with a very old annoyance: machines and vehicles that somehow change shape from panel to panel.
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