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Topic: 2013 Conventions -- Where ya headed? (Topic Closed Topic Closed) Post ReplyPost New Topic
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Paul Greer
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Joined: 18 August 2004
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Posted: 13 January 2013 at 9:58am | IP Logged | 1  

Aikins has captured my phases of con going perfectly. Scary I have become that predictable. Each one offers a different con experience and keeps it from getting boring going to the same shows for the past 20 years. Crazy running around Paul is usually the first time I go to a con I have never been before. I need to soak it all in. 
Matt we only spoke briefly at JB's final con. No worries if you don't remember. That was a crowded weekend and I'm sure you saw a few hundred forum members. 
Jason and I have become an unstoppable force when we team up at cons. You either join us or get out of our way. Joining us is much more fun. 
Brad, no worries. I will not spend too much of your money this year. Scouts Honor!* 





*Typed with fingers crossed. 
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Fred J Chamberlain
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Posted: 13 January 2013 at 10:02am | IP Logged | 2  

Wait... How come nobody has mentioned, "I like you as a friend, but not
in a 'touch-me-funny kinda way' before pushing him away for a 3rd time
Paul"?.... Anyone else... Anyone?
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Paul Greer
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Posted: 13 January 2013 at 10:10am | IP Logged | 3  

Don't act like you haven't fallen for my charms, Fred!
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Jason Mark Hickok
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Posted: 13 January 2013 at 10:40am | IP Logged | 4  

Yes, Paul and I can not be stopped at conventions only contained.
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Carmen Bernardo
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Posted: 13 January 2013 at 12:20pm | IP Logged | 5  

 Bill Mimbu wrote:
Definitely. Anime Expo, A-Kon, and Sakura-Con as well...

I may reconsider my decision not to attend Otakon in Baltimore, if they rescind their prohibition against purchasing single-day tickets.  That was a rude surprise back then.  1998 was the final year that I was able to attend the full convention due to the pricing of hotel rooms, my need to concentrate on finishing my college studies, and the fact that my part time job then wasn't paying well enough to cover the combined costs.  When I went back a couple of years later for just one day, I got the surprise when the person at the welcome desk asked me to pony up the funds for all three...

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John Popa
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Posted: 14 January 2013 at 9:29am | IP Logged | 6  

My crew was once told we organize cons like we're preparing for a military expedition. (And it's always big news when Heroes posts the floorplan and we can start mapping our plan of attack.)

But we always get out sketch.

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Matt Hawes
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Posted: 14 January 2013 at 11:04am | IP Logged | 7  

 Dave Aikins wrote:
...Then there's "Paul is in collector overdrive" Paul, which means that for the first hour or two of the show, Paul is a man on a mission booking sketches...


I think this is the "Paul" I met the one year in Chicago when I ran into Paul (or he saw me, I can't recall anymore). I do remember Paul getting a sketch from Michael Golden as we chatted, I believe.
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Joe Alexander
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Posted: 14 January 2013 at 2:28pm | IP Logged | 8  

I might need to pay Paul for a how-to training course. I normally have a goal of 4-5 hopeful sketches but am usually lucky to get 1-2 off my list. Even then I am grateful but some guys I continue to have no luck with. I usually have to make a decision to get in a line immediately and that eliminates my hopes of getting the others.
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Paul Greer
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Posted: 14 January 2013 at 2:58pm | IP Logged | 9  

Joe, I have a few easy tips for sketch collecting at cons.

  • Start looking to see if any of the artists have websites, blogs or Facebook accounts. Send them off a message to see if they do advance sketches or take an early list. I've landed some bigger names this way. At the very least you can get price info, if you have to wait to get sketch and if they take one big list or make a new list every day.
  • As Popa said, map out the layout of the con floor. Most cons put up a website version a week before the show. Find your favorites and make the easiest route to them. Hopefully some are clustered together and make it easy to hit.
  • You won't get everyone you want. Make a list of who your favorites are. Try and get your top guys and hope the others pan out.
  • Bring a friend/relative/hobo off the street who has little to no interest in comics. They can help you cover more ground. Just give them a name of an artist, character name and cash to get you on a list. They are also great for waiting in lines. Pay their way in, buy them lunch and whatever favor you can return.
  • Talk to the people in line with you. I've met plenty of other art collectors who are willing to help get on lists. You help them get artist x and they help you get artist y. They will also save your spot if you need to move around to a few other guests.
  • If they offer an early entry ticket, buy it. Always get there as early as you can. Show opens at 10, it would seem smart to get there at 7. You would be wrong, be there by 5AM.
  • Be at the con the first day. Most sketch lists are filled within the first two hours of day one. That is for the entire weekend.
  • Most important, even though you may be rushing and trying to do multiple things, be courteous to those around you and feel free to take time and talk with the comic artists. A sketch is nice, but having a real conversation with someone whose work you admire holds a better memory than just a sketch of Wolverine. The art can serve as a reminder of a wonderful time at a convention.
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Fred J Chamberlain
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Posted: 14 January 2013 at 3:13pm | IP Logged | 10  

It can also be pretty amazing when an artist whose work you enjoy has
sensibilities, interests, values, etc that you do and you find yourself
developing a friendship with that person. Being moved by a person's
artwork is one thing, but when you've connected with that creator on a
deeper level, the coolness of a newly found friend opens you up to
appreciating them on a personal level.... And you'll never look at their
art in the same manner again.
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Dave Aikins
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Posted: 14 January 2013 at 3:20pm | IP Logged | 11  

Paul won't give you the REAL tips. That would mean too many people in his way...


My favorite tip: claim to be an artist and buy an artist alley table. 

Wackiness will ensue.


Edited by Dave Aikins on 14 January 2013 at 3:29pm
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John Popa
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Posted: 14 January 2013 at 4:03pm | IP Logged | 12  

Dave is right: the most important tip is never give away your trade secrets. Sell them.
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