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Topic: What’s in your sketch book? Post ReplyPost New Topic
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Anthony J Lombardi
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Posted: 30 June 2005 at 8:39pm | IP Logged | 1 post reply

well it ended up being a bargin the computer i ended up with i saw for 1600 so i got a good deal plus it is more powerful than my laptop was also the cd/dvd burner is embedded in the tower so i don't need to use my old external one and ithas something called lightscribe i can put images onto the disc which is cool plus i went from pentium 3 to 4 so it is cool
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Guest79877180
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Posted: 30 June 2005 at 8:50pm | IP Logged | 2 post reply

You just can't sit in the potty and answer e-mails now...

Or CAN you?
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Guest79877180
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Posted: 30 June 2005 at 10:28pm | IP Logged | 3 post reply

Vlad and everyone -

1. When scanning, what can you do when the blacks that you lay down aren't "solid" as in, if you use a Sharpie and it leaves "streaks" in the black?  When I scan this, it continues to show up in the scan.

2. You mentioned in another post "Once I have the layer I can bring it into any document and paint it after locking the transparent pixels."  How and why do you do this?

Thanks in advance!
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Vladimir Fiks
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Posted: 01 July 2005 at 5:29am | IP Logged | 4 post reply

Just click on this icon (see pic) once you do all the trasparent pixels are
locked and any color you add will effect only the pixels that have
information already.



As far as scanning, you can control the brightness and contrast in the
scanning software (they vary from application to application,) but don't
usually bother. I can do a much better job in Photoshop after the scan.
What I usually use is Levels



Vlad
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Anthony J Lombardi
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Posted: 01 July 2005 at 5:35am | IP Logged | 5 post reply

Matt set for a high resolution when you scan the picture and just do as Vlad suggested
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Guest79877180
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Posted: 01 July 2005 at 6:34am | IP Logged | 6 post reply

Thanks for the info to Vlad and Anthony.
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Matthew Hansel
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Posted: 01 July 2005 at 8:08am | IP Logged | 7 post reply

Matthew:

I've had luck with my scanning, and I love inking in SHARPIE, by just scanning the artwork as "Black and While Line Art" and that 99.9999% of the time requires NO adjustment.

I did a job a few years back inking with my beloved brush, and my blacks are NEVER solid when I ink with a brush, the become more of a wash (especially in the bigger areas) and when I scanned as "BLACK AND WHITE LINE ART" they became SOLID blacks.

This, however, may be a function of my scanner that other ones do not have.  Not sure.  Hope it helps.

Matthew Hansel
matthewphansel@mac.com

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Darren Taylor
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Posted: 01 July 2005 at 8:28am | IP Logged | 8 post reply

Here's another couple of Thing sketches:

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Guest79877180
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Posted: 01 July 2005 at 8:35am | IP Logged | 9 post reply

Matthew - thanks for the great input. (feel like I'm talking to myself...)

I've tried this before with kinda bad results.  It seemed that some of the more delicate hatching/crosshatching would loose some of its finer qualities.  I read (kinda alluded to it up thread) a post by Vlad that talked about how to get a clean blackline into Photoshop, so that's helped a bunch.

Reading your post makes me think that I just might need to experiment a bit more with the settings.  Between this and the settings in Photoshop I think I can fine tune it now.

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Matthew Hansel
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Posted: 01 July 2005 at 8:41am | IP Logged | 10 post reply

Matthew (and, I too, feel like I'm talking to myself):

I scan at a HIGH resolution, which may help and I think that Vlad has already suggested.

Good luck.

Matthew Hansel
matthewphansel@mac.com

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Guest79877180
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Posted: 01 July 2005 at 8:44am | IP Logged | 11 post reply

I usually use 300 dpi.  Too low?
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Guest79877180
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Posted: 01 July 2005 at 8:44am | IP Logged | 12 post reply

Darren - looking good!  And the sketches are nice, too!
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