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Jason Czeskleba
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Posted: 17 November 2010 at 3:31pm | IP Logged | 1  

I think death became popular with fanboys in the 70's because it was perceived as shocking and daring, and to someone who is jaded and bored those were appealing qualities.  It also emerged in fandom that "death issues" were considered more valuable for some reason.  I remember the first and only time I bought an Overstreet Guide in 1979... that book is filled with notations for "death issues" and each has a corresponding increase in "value" over the issues immediately before and after it.

This inordinate fan interest meant that as fans became the majority of the audience in the 80's, deaths of major characters skyrocketed.  And today, as fans are the only readers left, deaths of superheroes have become commonplace and cliched. 

It is odd to me that fans still react as though a superhero death is rare and shocking, when through overuse it has become neither.  I guess fanboys are kind of like trained seals... conditioned to be excited and "shocked" by a death of a major character when there is absolutely no reason anymore that they should be.
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Sean Blythe
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Posted: 17 November 2010 at 3:32pm | IP Logged | 2  

Hyperbole and rampant self-promotion seems to be a staple of today's
industry. I miss the days when a book would sell simply based on its cover
and the promise of a good story.

You've heard of Stan Lee, no?

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Andy Mokler
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Posted: 17 November 2010 at 5:20pm | IP Logged | 3  

You've heard of Stan Lee, no?

Would you say he was promoting himself or his company?
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Jay Famous
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Posted: 17 November 2010 at 5:43pm | IP Logged | 4  

You've heard of Stan Lee, no?

Would you say he was promoting himself or his company?

+++

Both. Equal parts both. He was establishing "Stan Lee" as a publicly known brand so that he could not only promote his funnybooks, but so that he could ultimately squeeze Martin Goodman out of the publisher's chair. He also took several paid  speaking engagements in the seventies, playing off of his own very carefully developed hipster image, and it's not like that money went into Marvel's pockets. Yes, Marvel benefited from having a public pitchman, but Stan definitely enjoyed his celebrity status. Stan was the first comic book rock star (or maybe "jazz star" in Stan's case). 
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Al Cook
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Posted: 17 November 2010 at 6:12pm | IP Logged | 5  

If Stan was selling a 'Stan Lee' it was one whose name he deliberately made inseparable from 'Marvel.'  Now consider the "stars" of today, who have gone out of their way to put as much distance between their names and characters/publishers as humanly possible.
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Felicity Walker
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Posted: 17 November 2010 at 8:01pm | IP Logged | 6  

Comic-book death is shocking in a good way if you're at the right age, and haven't seen it before. Remember when Guardian died in Alpha Flight? That was quite a blow to the emotional solar plexus.

Heh...imagine Man of Steel #1 with a cover blurb saying "Not a dream! Not a hoax! In this issue, someone dies!"--and it's Jor-El!

The first Marvel comic I read regularly was the last dozen or so issues of Rom, and several characters died then. It felt more natural than shocking, because they were all new characters and they died at war. This was part of the Marvel Universe, in spite of being a toy license (I remember the Beyonder curing Rick Jones' cancer in one issue of Rom).
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Chad Carter
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Posted: 17 November 2010 at 8:10pm | IP Logged | 7  

 

Sex and death are intricately linked. You almost cannot have one without the other.

Comics is suffused with death-obsession and sexual imagery. I mean it almost puts E.A. Poe to shame, particularly if Poe had the sex-exploitation sensibilities of Joe Esterhaz.

I sometimes, briefly, wonder what it is about superheroes that these men and women at Marvel/DC are seeing that relates to their exploitation of sex and death?

I mean, sex and death are primary to most great literature. But isn't it painfully obvious to the writer/artists of Marvel/DC that superheroes are not great literary archetypes? Isn't the notion of a superhero a kind of "portal" to more complicated fictional worlds and characters?

Would Peter Pan's story benefit from the inherent knowledge that Peter had cut out Captain Hook's good eye with his little sword, and had f*cked Wendy in the a** prior?

 



Edited by Chad Carter on 17 November 2010 at 8:11pm
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John Byrne
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Posted: 17 November 2010 at 10:55pm | IP Logged | 8  

Would Peter Pan's story benefit from the inherent knowledge that Peter had cut out Captain Hook's good eye with his little sword, and had f*cked Wendy in the a** prior?

••

Isn't that Alan Moore's next book?

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Tony Midyett
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Posted: 18 November 2010 at 7:45am | IP Logged | 9  

If only we knew whether or not you're joking, JB!
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Tim O Neill
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Posted: 18 November 2010 at 8:38am | IP Logged | 10  



Ha! That's too tame for Alan Moore!




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Flavio Sapha
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Posted: 18 November 2010 at 11:00am | IP Logged | 11  

Maybe Peter puts out Wendy's eye and sodomizes Hook...
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Sean Blythe
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Posted: 18 November 2010 at 11:27am | IP Logged | 12  

If Stan was selling a 'Stan Lee' it was one whose name he deliberately
made inseparable from 'Marvel.' Now consider the "stars" of today, who
have gone out of their way to put as much distance between their names
and characters/publishers as humanly possible.

I didn't make that comment to disparage the original post, and certainly
not Stan Lee. I meant it as it relates to a persistent theme in these parts,
namely that everything in the past is noble and beyond reproach, and
everything that exists today is evil and cynical. Nostalgia is all well and
good, right up to the point where it flies in the face of reality.

Stan was inarguably a talented, imaginative man who transformed his
industry. To pretend that he was not prone to hyperbole and self-
promotion is, at best, disingenuous. It seems a lot of people here hold
more modern writers and artists to a different standard, based not on
actual facts, but on a general disgruntlement with comics today.

Stan has said many times that he was once embarrassed to tell people he
wrote comic books. Does that now and forever tar him as someone with
disdain for the industry? He has made countless efforts throughout his
career to be in the movie business - efforts which included some really,
really bad interpretations of Marvel characters. Does that make him
someone who saw comics as a stepping stone to hollywood, or someone
who would bastardize the standard images of characters to make a buck?

He rather famously talked about Marvel being popular on college
campuses when they were not, and claimed a "New Marvel Age Of
Comics" when they were still nowhere near the sales of DC. Does that
make him a liar? I don't think so. I think he's a guy who has worked hard
and had a lot of fun in his industry, who wanted to expand his horizons
and make the most of his opportunities, and whose job it was to sell
comics. He is a man who sometimes made bad choices. He is a man who
sometimes made unfortunate comments. He is a man who sometimes
misremembers the way things happened. And yet, if any of those
scenarios were anyone other than Stan, you guys would be all over him as
some kind of creep, cashing in on your favorite characters. You guys are
angry that Bendis said "Sit back and watch us unveil a storyline like no
other"? Oh my God, that's about as Stan Lee as you can get!

Neal Adams LEFT comics to draw advertisements and movie storyboards.
Yet all you ever read on this board is how wonderful he was, but how
awful it is that current comic writers and artists want to leave comics
someday to make movies.

There is endless discussion here about "revisionist" movies that mess with
the "canon" to sell movie tickets. And yet, how much of what was "canon"
about the Superman you know and love was retconned by radio and TV?
Love that redheaded teen, Superman's pal, Jimmy Olsen? Great. Does his
casting as a dark haired 30 year-old Jack Larson in the 50s TV show
anger you as much as Samuel L. Jackson as Nick Fury? Does it piss you off
that the character was added to the comics only after becoming popular
on a radio show because it was sponsored by a breakfast cereal, and the
sponsor wanted kids on the show?

Look, I've been a member of this forum for something like 5 years now,
and I'm not stupid -- I know this rant will be met with "well, if you hate
this forum so much, why are you here." (At least, from those of you who
don't already have me on ignore.) But I really hope that at least one other
person on this board will take my comments for constructive criticism.

Everything different is not necessarily bad -- nor is it necessarily new. As
parents, some of us decry comics these days as being inappropriate for
kids. And I'm sure that none of them ever heard their own parents or
grandparents ask them why they were wasting their time with that junk.
Or telling them "you know those characters aren't real... I don't want you
jumping out a window because you think you can fly."

How about some perspective?

Edited by Sean Blythe on 18 November 2010 at 11:29am

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