Posted: 24 January 2008 at 1:21am | IP Logged | 1
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Speaking as a reader who came back to Spider-man after the clone sage, because of Ben Reilly (and Dan Jurgens and that nice Spider-man costume) I really wish that Marvel had stuck to their guns because the first five or six months of Ben as Spidey were actually pretty damn cool comics and I wish the editors had stuck to their guns.
The clone saga itself? (Which I read after I started picking up Ben-Spidey to see what the anger was). A good story idea that was simply strung out for way too long which made the story pretty boring and incomprehensible.
One more day? I think they'll sell a lot of comics in the short term but with the way they did it, you know there's some writers out there itching to get on to the character so they can restore their childhood status quo which was Peter married to Mary Jane.
I think I've become so jaded that so many of these changes have been done away with so easily that I no longer believe in the changes. When I heard about Gwen's and Norman's kids I simply shrugged my shoulders and wondered how long it would be before they managed to undo that. A few years later and it's undone.
Should a backdoor be built into these stories so that if a new writer wants to do it they can? Sure, an out clause should be built into a comic book death so that somebody else can play with the toys.
You want to kill Batman so Nightwing can become Batman? Sure, but build it in such a way that Bruce Wayne can come back if another writer would prefer to write Bruce Wayne. Thus you can move forward while also providing the illusion of change because no change is permanent.
They did this a lot in the silver age (though usually in the space of one issue) Superman would die and be replaced by a new hero only for it to be revealed at the end that it was Superman all along and he had a reason to pose as a different character.
Leave yourself an out that makes sense so that you DON'T have to do something as ridiculous as a deal with the devil in order to restore the core of the character.
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