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Eric Jansen
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Posted: 19 December 2024 at 12:09am | IP Logged | 1 post reply

Even though Stan Lee didn't care for teen sidekicks, he sure used Rick Jones a lot!

And Roy Thomas continued Rick's presence, making him the hero of the Kree/Skrull War and then the other half of Captain Marvel!  And then other writers have used him all over the place (including giving him various powers).

To this day, I am surprised that Rick has not made a single appearance in any of the movies or TV shows (not counting animation).

But was Rick Jones just a stand-in for Rick Nelson?  (Even making him a singer.)  And redundant to Peter Parker and Johnny Storm?

That's another thing they do to supporting characters--make them a super-hero!  (Or villain!)
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Eric Jansen
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Posted: 19 December 2024 at 12:35am | IP Logged | 2 post reply

The Death of Phoenix is one of the greatest storylines in comics ever!  And there have been other hero deaths that also have been very effective.  (Although it seems that all the majors--and many minors!--get to die at least once...and then return!  I think it's Dr. Strange's turn right now.)

I started this thread specifically to talk about supporting characters--those regular people that inhabit the day to day lives of especially Marvel and DC heroes' secret identities.

Stan Lee made such great use of Aunt May and Peter Parker's very large cast of characters for 100 issues, and other writers after him.  When I started reading, the private lives were just as important to me as the super-hero action.  I personally really enjoyed the back and forth between Clark Kent and Steve Lombard in my first years reading the Curt Swan era Superman stories.

On the other hand, Stan only gave Iron Man and Daredevil TWO supporting characters each, and it wasn't that great.  It took a decade and a half for Frank Miller to fill out Daredevil's life and David Michelinie & co. to do the same for Iron Man.

Steve Gerber was a master of bringing in "regular people" into his stories and making you care for them as much as the heroes.  Jack Norris and Richard Rory were two of my favorites, and David Kraft continued their lives--and I appreciated it.

It just seems like bad, lazy writing to kill off Moira McTaggart, Aunt May, Jim Wilson, Betty Ross, Harry Osborn, Jean DeWolff, Sue Dibny, Alexandra DeWitt (Kyle Rayner's girlfriend in the refrigerator), Steve Trevor, Alfred, and many more!  Was the death of Gwen Stacy great or awful?  There are people on both sides of that argument.  (Though Capt. Stacy's death seemed dramatically appropriate.)

Though many were reversed later--I think that just proves that the death decisions were most likely wrong in the first place!  
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Michael Penn
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Posted: 19 December 2024 at 1:54pm | IP Logged | 3 post reply


 QUOTE:
The Death of Phoenix is one of the greatest storylines in comics ever!

I'm not disagreeing about the quality of the work, but I wonder how much of a "storyline" it is when the actual death was a last minute unplanned switcheroo. I can say that at the time it certainly seemed like Jean Grey was as truly dead as any comicbook character could be. In retrospect, I think that feeling this played a major part in my soon after giving up being a reader. Now I'd seen it all.
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Doug Centers
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Posted: 19 December 2024 at 3:38pm | IP Logged | 4 post reply

Stan Lee said of Gwen Stacy's death that he "hated it".
Stan said he always meant for Gwen to be the one for Peter. His happy ending.
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Rick Whiting
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Posted: 19 December 2024 at 10:20pm | IP Logged | 5 post reply

When I heard that they brought back Bucky it made me mad. I wasn't reading those comics but the press about it set my hackles up. Some deaths in comic should have the character remain dead. BUT, then I read the stories and what was mined with Winter Soldier and I became less sure of my feeling.
Ultimately, I have less of a problem with a character returnign from the dead if good stories can be told.


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While the Winter Soldier story was a good story, I still think that Bucky shouldn't have been resurrected. That story could have been told without having to bring Bucky back. They could have just made the Winter Soldier an experimental genetically modified clone of Bucky. This way the real Bucky would still be dead and Steve would still have to grapple with the guilt that the real Bucky is still dead.
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John Byrne
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Posted: 20 December 2024 at 1:45am | IP Logged | 6 post reply

While the Winter Soldier story was a good story, I still think that Bucky shouldn't have been resurrected.

•••

I’ve seen variations on this response to many stories, and I always have to ask, if you don’t think it’s something that should have been done, how can you think it’s a good story?

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Rick Whiting
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Posted: 20 December 2024 at 4:42pm | IP Logged | 7 post reply

I’ve seen variations on this response to many stories, and I always have to ask, if you don’t think it’s something that should have been done, how can you think it’s a good story?

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I've been asking myself that same question for years after I read that story. For me, the overall story was entertaining and intriguing, but it should have been a "What If" story or just had a different ending where it was revealed that the Winter Soldier wasn't the real Bucky. If I'm going to be completely honest, Marvel shouldn't have approved Brubaker's idea to bring Bucky back and should have just not given the story the green light. Of course they wouldn't say "no" to Brubaker for the exact same reason why DC didn't say "no" to Alan Moore when he had Barbara Gordon crippled in THE KILLING JOKE, which is because Brubaker (like Moore) is a "critically acclaimed" and "popular" elitist writer and Marvel (like DC) is afraid of saying "no" to him because it might cause him to quit the book and never work for Marvel again and it would piss off his vocal elitist fans.
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John Byrne
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Posted: 20 December 2024 at 5:00pm | IP Logged | 8 post reply

I suspect everyone who ever worked on CAPTAIN AMERICA considered ways to bring Bucky back. Certainly Roger and I did (and we would have broken your hearts!), but ultimately we realized there was no way to make our tale bulletproof. No way to prevent later writers from ****ing with it.
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Rick Whiting
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Posted: 20 December 2024 at 5:29pm | IP Logged | 9 post reply

I suspect everyone who ever worked on CAPTAIN AMERICA considered ways to bring Bucky back. Certainly Roger and I did (and we would have broken your hearts!), but ultimately we realized there was no way to make our tale bulletproof. No way to prevent later writers from ****ing with it.


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It seems that the only Marvel and DC stories that are bullet proof are those written by critically acclaimed and popular elitist writers who have written a story aimed at "mature readers" and that deconstructs the characters. The Big 2 would only touch those stories if the writers are either no longer popular or have no intentions of ever working with the Big 2 ever again. This is why DC kissed Alan Moore's butt for many years and wouldn't touch WATCHMEN and kept Barbara Gordon in a wheelchair for decades. They only started reversing course and touching those stories after it was clear that Moore would never work for them again and after he had repeatedly publicly bashed DC and all those creators working on superhero comics who kept trying to do what he did by making the DC and Marvel superhero comics "grim n' gritty" and aimed at adults. Sometimes it seems like the comic book industry is like high school.
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Steven Myers
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Posted: 22 December 2024 at 2:24am | IP Logged | 10 post reply

As to the deaths of supporting characters (who were not created to die) I tend not to like it. You have someone like Gwen Stacy, who has promise as a long-term character, and she dies to create drama for the main character. The killing of the girlfriend (almost always women love interests specifically) has become an overused trope. It seems like every main character has a dead girlfriend.

In general, having the character die is saying "we can't think of anything else to do with this character" and I think that's just a lazy way to write out a character.
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Craig Earl
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Posted: 22 December 2024 at 3:19pm | IP Logged | 11 post reply

Gwen Stacy was considered a fairly annoying (even boring) character by many back in the day, especially compared to the firecracker that was MJ.

I actually quite liked Gwen and found her sweet - but there's part of me that thinks she had to go (although not necessarily by dying).

Her death was an incredible moment in comics. When done right, such moments can be amazing. It hit hard - and that's the way it should be.
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John Byrne
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Posted: 22 December 2024 at 3:57pm | IP Logged | 12 post reply

In general, having the character die is saying "we can't think of anything else to do with this character" and I think that's just a lazy way to write out a character.

•••

It’s more like saying “Death SELLS!”

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