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Ed Love
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Joined: 05 October 2004
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Posted: 14 December 2012 at 9:14am | IP Logged | 1  

Here is why I'm not worried about this. (Surprised maybe--OK maybe
a little scratching my head, why???.) This is a Keith Griffen project.
He's not NuDC, he's been writting/plotting DC since before Crisis and
is responsible for some of the best storylines out there. (OK, he has
written bad stuff too, but I would rather gamble on him then against
him.)
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Keith Giffen? He may be an older creator, but his mindset has almost always been that of NuDC. Every product he's written (and he basically admitted this in an interview) is to change the character into something that interests him as opposed to finding something interesting already n the character. He has rarely ever written a character "in-character" and if anything, has contributed to the long range floundering of so many products. He's one of those that's championed the death of Kirby's New Gods, the idea that continuity is a straightjacket to creativity. It's his writing of the Justice League and Blue Beetle in particular that lead to many fans to see Ted Kord only as a joke character. His adult Legion took the team so far from the core concept, that they never recovered, undergoing a succession of reboots trying to return. Ditto on Doctor Fate. He took a rather simple but novel concept such as Ragman and turned it into a completely different character and concept.  Giffen's name is enough to stay far, far away.
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John Byrne
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Posted: 14 December 2012 at 9:24am | IP Logged | 2  

Often I have observed that there are basically two schools when it comes to writing comics. In School A, when a writer is offered, say, Superman, s/he thinks "Can I tell interesting Superman stories?" In School B, given the same offer, the writer thinks "Can I use Superman to tell MY stories?"

In the past few decades, we have seen more and more of the latter.

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Joe Alexander
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Posted: 16 December 2012 at 2:16pm | IP Logged | 3  

JB-

Often I have observed that there are basically two schools when it comes to writing comics. In School A, when a writer is offered, say, Superman, s/he thinks "Can I tell interesting Superman stories?" In School B, given the same offer, the writer thinks "Can I use Superman to tell MY stories?"
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Well said! I wish that was posed as a question to all writers (with the idea that School A is what the editor is looking for) before they begin an assignment.
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Aaron Smith
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Posted: 16 December 2012 at 8:47pm | IP Logged | 4  

In School A, when a writer is offered, say, Superman, s/he thinks "Can I tell interesting Superman stories?" In School B, given the same offer, the writer thinks "Can I use Superman to tell MY stories?"

***

I will never understand the impulse that puts people in School B. If anything, it seems like the more difficult route (considering how amazing these characters are). A few years ago, for writing practice, I fooled around with some Marvel and DC characters, most notably the Fantastic Four, and found that when treated with their essences intact (in other words, following the examples of Lee and Kirby and JB, etc), they seemed to write themselves. Idea after idea pops into mind when those characters are just allowed to be who they've been for most of their history.  

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Monte Gruhlke
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Posted: 17 December 2012 at 12:31am | IP Logged | 5  

There should be a guy on staff at Marvel or DC who sniffs out the "kewl" concepts being offered and escorts them swiftly to the shredder.

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