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Noah Smith
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Posted: 25 September 2012 at 6:05pm | IP Logged | 1  

Batman was not my favorite character when I was little -- like five or six.  I probably had that typical little-kid bias against non-super-powered superheroes.  But I got a LOT of Brave and Bold issues with Aparo artwork.  I wasn't conscious of it at the time, but I'm sure it was the art that made me pick them at the newsstand.

I didn't read Outsiders much at the time, but I picked up the Showcase volume entirely for the Aparo artwork.  I was a little bummed at how many issues within had other artists.  Oh well, the ones with the good stuff were more than worth it.
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Michael Casselman
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Posted: 25 September 2012 at 6:53pm | IP Logged | 2  

I never noticed this myself, but I learned from reading one of his interviews last night that Aparo would often leave clues in certain issues as to who would be Batman's team-up in the NEXT issue. One issue he apparently left green arrows strategically placed to see if anyone would notice.
+++++++++++++++++++++++

Aparo started doing this in the last 2 1/2 years of B&B. There were clues such as (IIRC) a randomly placed Legion space cruiser, a psychodelic landscape with Hawk & Dove, roses with thorns, scales of justice (for Nemesis) and rags for Ragman.
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Steve Ogden
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Posted: 25 September 2012 at 7:10pm | IP Logged | 3  

Like many of you, Jim Aparo is one of my all time favorite artists.  He has always been there growing up, always drawing a bunch of my favorite comics; Batman, Phantom Stranger, The Spectre, Aquaman.  Along with Don Newton Jim Aparo is my favorite artist on The Phantom. When I saw that little stylized "JA", I wanted that comic book. One of my many favorite covers of The Phantom.




Edited by Steve Ogden on 25 September 2012 at 7:12pm
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Robert White
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Posted: 25 September 2012 at 7:41pm | IP Logged | 4  

I think if Aparo ever worked at Marvel, he would have been a great fit for Iron Man. He was great at drawing the sophisticated, socialite scenes that add flavor to the tales of rich heroes like Bruce Wayne and Tony Stark.
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Flavio Sapha
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Posted: 25 September 2012 at 8:24pm | IP Logged | 5  

A true cartoonist. Anyone who digs Aparo should look at Milton Canniff,
though. Aparo drank deep from that well to do his thing.
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Stephen Churay
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Posted: 25 September 2012 at 9:26pm | IP Logged | 6  

You guys should try to find Aparo's drawing of Sean Connery as
James Bond. It's a pretty good likeness with out being a slave to the
source image.

Oh never mind here's the address. It's too cool for you to have to hunt
for.

http://jimaparofanclub.blogspot.com/2009/01/bondjames-bond.h tml
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Mike Norris
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Posted: 25 September 2012 at 9:26pm | IP Logged | 7  

To my eyes, Aparo got even more Canniff-like over the years. 
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Petter Myhr Ness
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Posted: 26 September 2012 at 1:15am | IP Logged | 8  

Saw a TALES OF THE DARK NIGHT hardback dedicated to Aparo at the store recently. That went straight to the top of my list over books I need to buy.

I'm a big fan of his work. A great artist.
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Jason Czeskleba
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Posted: 26 September 2012 at 1:17am | IP Logged | 9  

Regarding the question of why Aparo was kept on Brave and Bold in the 70's, rather than being switched over to Batman or Detective... I read somewhere that The Brave and the Bold was actually the best-selling Batman title in the mid-70's.  If that is true, then it makes sense they would keep their best Bat-artist on the best-selling title he was in.  
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Stephen Churay
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Posted: 26 September 2012 at 1:45am | IP Logged | 10  

I read somewhere that The Brave and the Bold was actually the best-
selling Batman title in the mid-70's.

=====
I can believe that. I know it has it's fans and there is some great art,
but I found the two main Batman books, from that time period, kind of
a weird.
The Brave and the Bold issues were cool because of the team ups.
Anytime I read it, I always found myself looking at it from the other
heroes point of view and feeling like they really didn't want to be there.   
Gotham was a spooky place at night and Batman really wasn't the guy
you wanted to spend time with. A lot of that seemed to come from
Aparo's art.   
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William Costello
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Posted: 26 September 2012 at 3:03pm | IP Logged | 11  

Brian Hague, post #14:  . . " .  as I recall Aparo could capably do one entire issue, pencils, inks, and letters a month. When he first began at DC, he alternated between Aquaman and Charlton's Phantom."
I have one original art page from Jim Aparo, a page from Aquaman #48. I can't remember when I bought it (I would say many years ago), but I'm amazed how clean the art page is, and it looks as though only one hand (Jim's) worked on that page.
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James Todd Jr
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Posted: 26 September 2012 at 3:39pm | IP Logged | 12  

I subscribed to Aparo's Brave and the Bold in the 1970s and 80s. The Nemesis subplots were interesting as well.
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