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Topic: What’s in your sketch book? Post ReplyPost New Topic
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Anthony castrillo
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Joined: 17 February 2005
Location: United States
Posts: 781
Posted: 14 July 2006 at 6:06am | IP Logged | 1 post reply

Gerry- Under your PIXALATE filter, choose haltone and fudge
with the levels.
JPB- Theres a Klaus Janson thing going on in there,great lines!
Chris- That rocks in color, good job!!
BTW- Luke is very good at capturing iconic gestures, with alittle
more practice I think hell do great. But i havent seen
sequentials from him so ill hold off on predicting his success. lol
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Chris Yeoman
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Joined: 19 July 2005
Location: United Kingdom
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Posted: 14 July 2006 at 6:06am | IP Logged | 2 post reply

Chris, that is such an awesome piece, great work!
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Gerry Turnbull
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Joined: 16 April 2004
Location: Scotland
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Posted: 14 July 2006 at 6:12am | IP Logged | 3 post reply

Anthony thanks!

theres a million combinations though, what levels do you use?

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Anthony castrillo
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Joined: 17 February 2005
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Posted: 14 July 2006 at 6:19am | IP Logged | 4 post reply

I dont really know, i just input any number until i get what i like.
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John Peter Britton
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Joined: 17 May 2006
Location: United Kingdom
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Posted: 14 July 2006 at 6:32am | IP Logged | 5 post reply

thanks everyone fantastic work from you all.
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Darren Taylor
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Joined: 22 April 2004
Location: Scotland
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Posted: 14 July 2006 at 6:42am | IP Logged | 6 post reply

Great work Chris, Luke and MAC.
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Darren Taylor
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Joined: 22 April 2004
Location: Scotland
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Posted: 14 July 2006 at 6:43am | IP Logged | 7 post reply

For those interested, I have put up a Solar-Man of the Atom "challenge" over on my new Forum.

http://chillout.forumup.co.uk/index.php?mforum=chillout
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Luke Smyth
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Joined: 16 April 2004
Location: Ireland
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Posted: 14 July 2006 at 7:20am | IP Logged | 8 post reply

JPB, Lovely colours and inks on the Panther, I really like the way you highlight figures when you colour them.

Mac, I've been after a certain look for the Thing for years and then you produce that, pretty much what I've been after, just like that. I could learn to hate you, LOL.  There is such life and vitality in your lines, very organic.

James K, I get what you are saying.  My aim with my posts is to try and capture the essence of the character, so when I initially break it down I'm not conscioulsy thinking of any particular artist, just the character.  Therefore, some prove to be more difficult than others because I can't get a handle on the character, the Silver Surfer, for example.  Even if you were the only one to like them would be good enough for me.

As for influences, JRJR is my main man.  That goes back to the '70's when I latched onto him, I could get near him whereas JB for example was way beyond me, just too good.  What I have done over the years with the artists I like is broken down their work and traced their influences.  If you want to get some understanding of JRJR for example, you need to look primarily at John Buscema, then John Romita Sr, a touch of Alex Toth and presently a large dose of Jack Kirby.  Of course each of those artist will lead you to others.

Although JRJR is my main influence, there are many more at work in my drawings, my fascination with hands goes back to Gil Kane and Steve Ditko, but JB has also been a huge influence in that respect.  The way I ground figures is all down to JB.

You have to remember, this is the first time in about twenty years that I have drawn with any regularity for other peoples eyes.  In those years it was always with a biro on the newspaper for my own amusement.  Drawing with the biro has been beneficial in helping me find the right line though.  One side effect is that I cannot copy other artists work or even from anatomy books.  I get bogged down in the technical aspect, this line goes here, that line goes there, instead of thinking, this is an arm that is a muscle. My mind goes into auto pilot and any spontaneity goes out the window.  As a result, I keep making the same mistakes as you point out.

As I have said I do this for fun, but recently with people of the calibre of JPB and Mac and others taking the time to colour and ink my pics I feel maybe I should try to take it a bit more seriously, apply myself so to speak.  Mac is absolutely right in what he says, I haven't even drawn a background let alone attempted any sequentials.  Thanks to the encouragment from people here I will give it a go. 

After all, we can talk about artists style all day but what truly makes the greats is their ability to apply their style to the juxtaposition of panels on a page,page after page in a convincing manner, in other words, to tell stories.

Sorry for the ramble, I'm Irish after all and we people have been known at times to talk the hind legs off donkeys. 

 

 

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Stéphane Garrelie
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Joined: 05 August 2005
Location: France
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Posted: 14 July 2006 at 7:33am | IP Logged | 9 post reply

STEP 2:

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Darren Taylor
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Joined: 22 April 2004
Location: Scotland
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Posted: 14 July 2006 at 8:31am | IP Logged | 10 post reply

Step 3...I wanna see Step 3!

;-)

Nice going Stephane.
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Stéphane Garrelie
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Location: France
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Posted: 14 July 2006 at 9:23am | IP Logged | 11 post reply

Step 3"fixing MJ":

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James Kilpatrick
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Joined: 08 October 2005
Location: United States
Posts: 99
Posted: 14 July 2006 at 9:41am | IP Logged | 12 post reply

luke...check my last name, i'm right with ya on the irish thing...lol

as for my comments, everything was meant in a totally positive light and
i'm glad you took them that way...iconic is the best way to describe your
stuff for sure.

and to be fair, not everyone has to be a sequential artist...take brian
steelfreeze for example...he's most well known for his covers and
paintings, not his panel to panel work.

so don't fret about that one bit...you could hone your art like it is, and set
up at local cons and make decent money just drawing commissions for
folks and probably have an absolute ball.

i see a ton of artists doing just that...they don't have the time or
opportunity or perhaps even the inclination to do sequential art.

it all depends on where your ambitions lie...if your dying to do sequential
work then there's a wealth of folks here who can definitely help you hone
that skill.

make no mistake...the dynamic figure work is where all the fun is
at...everything else that works towards that point isn't much fun to draw.

no artist starting working in comics because they wanted to draw street
lamps and 3 point perspectives...lol

i dig your stuff...obviously so do others, and i'm glad some of the heavies
are stepping up to ink your work. i think it might help to show you just
how iconic your renderings really are.
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