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Chad Carter
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Posted: 04 September 2011 at 5:03pm | IP Logged | 1  


Whatever Infantino's intentions were, under his five-year watch, DC sales tanked. 

DC sales tanked because Infantino believed, erroneously, that DC readers would support DC books despite a cover price hike. Combined with blizzards and economic problems, Infantino's gambit failed.

People should keep in mind that Infantino helped, or allowed, for many new characters which are still active today, most of which natch created by Jack Kirby. Infantino's position as art director shouldn't be called into question, since he did have some of the finest artists in the business on the best books DC had to offer. And you can personally thank Infantino for saving Batman from cancellation, given he spearheaded the Darknight Detective phase quite a bit before Adams/O'Neil, who apparently love to take credit where it's not necessarily due. Not to mention just about every superhero at DC was overhauled under Infantino's guidance, modernized, and most of those versions are physically still in place. Or at least they were, until Nu DC.

The Jack Kirby mishap was just as much Kirby's fault as Infantino's, given Kirby's Stan Lee-induced resentment to work with anyone or have anyone take credit for anything he actually did. I'm sure Infantino would have loved Kirby to become the Grand Poobah of DC, but Kirby was more interested in Being Kirby. And it's hard to say I blame Kirby for that.

I do like to imagine what a belt-loosened DC Comics would have looked like, with a Jack Kirby ready to draw Superman on-model (or DC letting him draw Superman Kirby way) while working on his Fourth World stuff, while Jim Aparo, Ernie Chan, Dick Giordano, Neal Adams, Dick Dillin, and Curt Swan carried the rest of the books. I guess aside from Neal Adams's departure and Kirby's obstinance, it sort of happened, but nobody was going to derail the Marvel juggernaut with DC's environment of stodgy imperiousness in place.

 

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Trevor Giberson
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Posted: 04 September 2011 at 6:15pm | IP Logged | 2  

I think we can both agree, DC's cover price hike is a good example of a self-destructive decision.
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Trevor Giberson
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Posted: 04 September 2011 at 6:34pm | IP Logged | 3  

BTW, I will also acknowledge that the actual content of the books under Infantino was far, far better than the next several years after he left. (IMO)
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Mike Norris
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Posted: 04 September 2011 at 7:54pm | IP Logged | 4  

 Chad Carter wrote:

 Mike Norris wrote:
Leave it Chad to be so quick to use one of JBs "catchphrases" that he forgets to check and see if it applies to his own post.

I only have to refer to the past 26 years of irresponsible mishandling of superhero comics to justify my mindreading. Your example, Mike, would suggest an origin point for irresponsiblity, if it were true, which it's not.

. It's an example of a writer killing off a character created by another writer for non=malicious reasons.  Its not meant to be the starting point of anything and definitely not about irresponsiblity. Comic book character have been killed for decades. I've no idea when the first one happened or why. Is it irresponsible to do so? I don't know. It only really matter when its a character I like.

If what were true? My example? The reasons Thomas killed Prof X?

My impression, from what JB has said, is that mindreading is never justified.

Your mindreading says that Giffen is a "kissass". Not sure how that ties into your new "irresponsibility angle".  From the personality he projects, I cant imagine Giffen kissing anyones ass. He's seems to get carte blanche with any book he gets.

 

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Mike Bunge
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Posted: 04 September 2011 at 8:03pm | IP Logged | 5  

"Whatever Infantino's intentions were, under his five-year watch, DC sales tanked."

It's my understanding that DC sales, like other comics, had been falling since the Golden Age of the 1940s.  It was just that in the 1960s, Marvel came onto the scene and DC sales continued to fall while Marvel surged ahead and stayed there.

Mike

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Dan James
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Posted: 04 September 2011 at 8:23pm | IP Logged | 6  

Justice League #1 was not a great comic in my opinion.

There was no mood developed. It seemed like they wanted the feeling evoked in Alan Davis' "JLA: The Nail," but simply did not pull it off.

Reading Justice League #1 prompted me to read Justice League: The Nail again. That book definitely got the mood right that the "new 52" seemed to be going for.

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Stephen Churay
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Posted: 04 September 2011 at 10:46pm | IP Logged | 7  

I think Justice League #1 would be better served by putting out at
least one comic of the big seven first. Week one, put out Action,
Detective, Wonder Woman, Aquaman, Green Lantern, Flash, each
with a secondary plot covering Vic Stone's story. Or, put them out over
two weeks and include Superman, and one of the Batman titles in the
next week. THEN, put out Justice League. Introduce all your
characters first, in there own titles and then bring them together.
These characters although similar are not the same as the old DC
Universe versions. Let me get to know them so I as a reader WANT
to see them come together. I don't mind the the way they want to tell
the story of these heroes coming together, but I didn't feel like I got
much because I'm only getting a sixth of a story about characters I
only think I know. There's no real character building here. I need to
know them before I can feel anything about them or care about there
point of view. The only part that I thought was handled well was
Cyborg's storyline.

I'm still keeping and open mind about this whole thing, and will still
give about half the line a try for three months. While I understand you
want to come out with a bang and have your big name creators come
with the big gun heroes first, I think putting this issue out first was a
poor choice from a universe building stand point.
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Joe S. Walker
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Posted: 05 September 2011 at 6:21am | IP Logged | 8  

"If I'm understanding, Julie Schwartz barely had an idea of what was going creatively, half the time. Which, for a lot of writers and artists acting as essentially their own editors, was probably a great thing."

I've always wondered how he let Mike Friedrich get away with that JLA issue in which Friedrich appears on-panel at the end.
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Kevin Brown
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Posted: 05 September 2011 at 7:42am | IP Logged | 9  

It's my understanding that DC sales, like other comics, had been falling since the Golden Age of the 1940s.  It was just that in the 1960s, Marvel came onto the scene and DC sales continued to fall while Marvel surged ahead and stayed there.

********************************

Anyone rememberr what page I posted the link to that sales chart from over the years???

.

EDIT:  Found it.  Here it is:  http://enterthestory.com/comic_sales.html

 

Before Infantino took over, Marvel had taken the lead.  The few years he was there, they started to creep up a bit actually.



Edited by Kevin Brown on 05 September 2011 at 7:52am
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Kip Lewis
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Posted: 05 September 2011 at 8:07am | IP Logged | 10  

For all the criticism and defense of JL #1, perhaps we should wait a
couple of months to know if it "worked" or not. If sales grow and stay
high for a while, then it worked; if sales crash back to old levels or
lower, then it didn't work. BTW, I don't mean criticism that you liked it
or didn't like it. That is completely subjective. I mean criticism that
this was or wasn't a good storytelling technique for a relaunch.

Edited by Kip Lewis on 05 September 2011 at 8:36am
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Craig Robinson
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Posted: 05 September 2011 at 8:26am | IP Logged | 11  

I just read a preview of Morrison's Action Comics #1 (mostly to make fun) and was shocked to discover that I did not hate it.  His description of Superman as Springsteen seemed quite silly, but I have to say, I am somewhat intrigued by this new tone.  I've never been the biggest Superman fan (loved Red Son) so I might give it a try.  

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Kip Lewis
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Posted: 05 September 2011 at 8:39am | IP Logged | 12  

Reading the preview, made me think of a modern take on the original
version of Superman--fighting social injustice; the guy who would kill
bad guys. (I don't know if GM will have him kill, but the tactics were
more Batman-like.) The only thing that doesn't fit is the heat vision/
glowing eyes.
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