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Topic: "More Mature Stories" (Topic Closed Topic Closed) Post ReplyPost New Topic
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Rick Whiting
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Joined: 22 April 2004
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Posted: 11 June 2010 at 10:00am | IP Logged | 1  

I don't think there's any "almost" to it. Paul Kupperberg told me, a while back, of a conversation he'd had at a New York con. He was talking with a Big Name Pro (who I wish I could name, but this is hearsay, after all), who moaned about hating superheroes, but being "trapped by the money". Literally his phrase, according to PK.

It's quite amazing. There was a time when I was quite erroneously pilloried for "being in it just for the money" -- nothing could be further from the truth -- yet some of these whiney prima donnas that infest the industry today can talk this way and be folk heroes!

Love of the craft, simply FOR the craft, sometimes seems to have disappeared almost entirely.

_____________________________________

I have read several posts on various message boards where some people have said a certain big name British comic book writer has said several times online that he only works on superhero comics purely for the money. I won't name this creator, but I think that some people might know who I'm talking about.

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Rick Whiting
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Posted: 11 June 2010 at 10:05am | IP Logged | 2  

With a lot of the superheroes being anything but heroic nowadays, I'm finding my enthusiasm for them waning significantly - something I thought would never happen. I try to now seek out comics that reflect the sort of genres that I enjoy in literature.

It's rather unsettling when kids have to be steered clear of Batman or Spider-Man since they have content that may be inappropriate (as someone who works at my comic store told me once).

Before, interest would wane but the content could still be approachable and appreciated years later. Now, I look at some comics and I am reluctant to pick them up since they seem to be catering to a sort of "fan" that I would just as soon not be labeled as.

Maybe I'm getting too old?

_______________________________________

I feel exactly the same way you do. I find myself either dropping or skipping over most of these faux "mature" superhero comics. I just don't find them fun or exciting.

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Greg Woronchak
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Posted: 11 June 2010 at 11:41am | IP Logged | 3  

Maybe I'm nuts, but the current crop of 'mature' books inspires me to write and draw (with my limited skills <g>) concepts that I know my children can enjoy.

Maybe this era of doom and gloom will inspire similar folk, and the pendulum will swing.

Hey, I'm an optimist!

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Brian Mays
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Posted: 11 June 2010 at 11:52am | IP Logged | 4  

Greg I feel the same way. Although not one who can write and draw (my skills tend more toward graphic/web design) I find myself itching to make things better for my 2 year old boy.

Now HOW I do that...I've been searching for that for awhile :-)

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Matthew McCallum
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Posted: 11 June 2010 at 1:06pm | IP Logged | 5  

Greg and Brian,

My three kids and I have been making our own comics for the last little while now. I write 'em and they draw 'em.

Since everyone is working on their own "series", the other two are always excited to see what the third has come up with. And I delight in seeing how each of these not-so-little guys brings their own unique style of interpretation to the work.

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Brian Mays
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Posted: 11 June 2010 at 1:54pm | IP Logged | 6  

Matthew, have you seen the book "Geek Dad"? Might be up your alley.

(I bought it on my iPad...how appropriate.)

Edited by Brian Mays on 11 June 2010 at 1:55pm

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Chris Wood
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Posted: 11 June 2010 at 9:22pm | IP Logged | 7  

JB: 

Sad thing is, if you are looking for comics that will deliver the same kinds of pleasures you experienced when you were younger, you are most definitely NOT "too old". The ones who are too old are the ones who expect the comics they read as kids to have kept pace with their own "maturity". (Or, more correctly, lack thereof.)

-----

That's exactly right, JB. I'm in my 40s, but I would still happily and enthusiastically buy comics again if they provided the reading pleasure that I used to experience. I don't want to read "mature" comics produced by writers, artists and editors who have no respect or love for the genre. For too many of them, creativity equates to shock. Their talent lies in their ability to convince publishers that they're the "cutting edge" and that truly talented creators are has-beens. And yet they seem oblivious as to why sales continue to decline.
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Matthew McCallum
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Posted: 11 June 2010 at 9:29pm | IP Logged | 8  

Brian,

I'm not aware of that work. I'll give it a look. Thanks for the tip.
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Carmen Bernardo
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Posted: 12 June 2010 at 4:31am | IP Logged | 9  

Rick, about that "maturity" thing:

   I remember the days when I used to frequent a video store, but it was only for the forbidden fruits that I was denied as a teenager.  Looking back at that now, I've realized that it was just me being just another creep going to the back room to see what they offered.  Could that be the "mature comics fan" we're talking about?

   Today, I realize that there are just some things that one should leave out of the narrative, especially if the audience will involve children and their parents.  The scenes being described here are mostly being geared towards the porn booth shoppers, I think.  That's the difference between the "maturity" being promoted in today's comics and real maturity.

   Per JB's response before then, the love of the medium has disappeared.  I'm repeating myself, but it seems that Hollywood scriptwriters are moonlighting there, or at least half of the current crop of comics writers have an eye on a Hollywood career (but little else to offer).  Even the artists have become arrogant little brats who view the characters that they're supposed to be working on as little more than a blank slate to "reinterpret" to their heart's content.  Hence the comment from said British writer above.

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Brian Mays
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Posted: 12 June 2010 at 5:23am | IP Logged | 10  

I can still remember the first time I was "shocked" by a Spider-Man comic book. It was during the McFarlane run on Amazing. Sabertooth brutally killed an ambassador. You didn't see him rip his limbs apart and his guts out, but you did see a couple of panels with large blood splatters on the wall. Shocking because you NEVER saw anything like that in Amazing Spider-Man. I remember actually stopping when I read the book and taking a break before I could go back. And you didn't continue to see it in Amazing thereafter.

Now this level of violence is commonplace and considered tame. To shock, they've had to go beyond this. And now that THAT level is considered commonplace, what becomes the NEW "shock" level?

I got into a discussion with some comic fans stating that there are probably younger readers in there due to related toys, movies, and cartoons. Their desires are going to be weighed when producing the books, and what they like is going to come into the books' content.

A lot of defensiveness and possessiveness became apparent, with some saying younger readers should be relegated to the "kiddie" sections. They don't want children playing with a children's property.

Edited by Brian Mays on 12 June 2010 at 5:24am

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John Byrne
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Posted: 12 June 2010 at 7:35am | IP Logged | 11  

I was talking with a friend the other night about the new Doctor Who, and he made the cogent comment that the show has shifted from being a kid's show, when they were basically casting Captain Kangeroo as the Doctor, to something more in the "Twilight" mode, with hot young singles as the leads.

The effect there is much the same as what has happened in comics -- fans turned pro who bring to the product the sensibilities of their ADULT lives, not the sensibilities that entertained them when they were kids, originally drawn to the characters.

It's a slippery slope, and one I have stumbled down a few times myself. Ultimately, we (the writers, artists, editors, etc) need to keep in mind that the material isn't meant for "us", as we get older. We need to try to hold on to our memories of what brought us into the fold in the first place. Comic books, as a medium, can contain any kind of subject matter we choose, from sweet and innocent to hardcore pornography, and, indeed, they SHOULD contain everything within that range -- but this is not a mix-'n'-match scenario, where something that starts out sweet and innocent can be turned to hardcore pornography, and back, on the whim of whoever is producing it at the moment.

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Jason Ditzel
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Posted: 12 June 2010 at 7:53am | IP Logged | 12  

I don't understand why the publishers don't place the 7-15 demographic traditional layered content in "Batman" and "The Amazing Spider-Man" and place the 16+ content,  for those that want it, in 'Spider-Man: More Meetings, Less Panels Per Page, and Chasing Tail' and 'Batman: Knight in the NRA'.


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