Posted: 16 July 2009 at 8:24pm | IP Logged | 11
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"...take the guides and copies of the art, and laying a sheet of vellum over the latter, black in all the areas that were to be whatever percentage was required of each color. Say, blue (cyan). So you'd end up with, usually, three sheets of vellum which would then be used to produce the blue plate."
My head hurts trying to visualize all this... so in other words, these sheets of vellum had no actual color on them, they just were arbitrarily designated as the "blue sheets", with the blue areas of a given piece of artwork marked in black? And they needed multiple sheets of vellum because each sheet would be designated as a different percentage of blue?
Now, forgive me, because again, I'm having trouble visualizing this... if vellum, as I understand it, is a kind of parchment, how would laying it on top of the xeroxed artwork aid them in designating which areas were which color? Were they transparent, like tracing paper? And were they then imprinted on actual metal plates which were used to stamp the color on the printed pages? I have the feeling that I'm completely misunderstanding this.
But I gather the major stumbling block in all this, which was eventually solved by computers, was that they couldn't create a system of codes to represent every possible color combination, and send that info directly to the printer, because that would be too hard for a human being to keep track of.
Regarding the blue/black thing in character's costumes... Venom comes to mind, but is it also true that Spider-Man's costume was originally meant to be red and black, but it was simply too hard to consistently achieve in a way that looked good with the technology of the time?
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