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Wallace Sellars
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Posted: 30 September 2008 at 2:25pm | IP Logged | 1  

JB, I hope you explore the SATP route with at least a couple of your newer ideas.

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Thomas Moudry
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Posted: 30 September 2008 at 3:22pm | IP Logged | 2  

I love this idea.

I was reading some trade paperbacks this past weekend, and I found myself
thinking, You know, I really like this; it could be the way to go.
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Victor Manuel Fernandez Patiño
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Posted: 30 September 2008 at 4:15pm | IP Logged | 3  

I found myself picturing the noblemen who came to tell the young
princess her sister Mary was dead and she was now Queen, arriving not on
horseback, but thundering down out of the sky in a great black starship.


******

Do it... do it... do it... Do it!

WOW!!!
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Victor Manuel Fernandez Patiño
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Posted: 30 September 2008 at 4:17pm | IP Logged | 4  

I love your alien races... It would be great to see all the different Europeans
turned into different aliens... WOW!
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Marcio Ferreira
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Posted: 30 September 2008 at 4:37pm | IP Logged | 5  

JB, That is the way to go! I will be glad to reserve my copy at Amazon as soon as you decide!

I do not want to be repetitive, but you could make a whole new generation to discover the FOUNDATION trilogy...


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Chad Carter
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Posted: 30 September 2008 at 5:42pm | IP Logged | 6  

 

The advantages of the "long form" or novel as comic book seems made for you, JB. Your particular bent with subplots and "time" manipulation would work even better long form, just as in a novel.

Also, just because it is a "novel" does not remove the "serialized" nature of certain parts of the story, or "arcs." Instead of leading into infinitum, the arcs would crest toward a true ending.

I was just mentioning SANDMAN MYSTERY THEATRE in another thread, and thinking how that comic's "arcs" were broken into four parts (generally) centered around a mystery/criminal pursuit by the Sandman, but the "through-line" is so strong that the stories read like one big novel. The three-to-four part arcs work in direct conjunction with the furthering of the "through-line" for the central characters, so every arc reveals more and more...the "end" of this story is implicit, of course, in whatever fate befell Wes Dodds and his woman in modern continuity--which of course is an unfortunate byproduct of a corporate-owned character subject to the whims of other talent.

Robert Kirkman has claimed to be writing WALKING DEAD as one continuous novel the whole 50-plus issues. It's barely discernible where the issue "breaks" are when read in trade form. And Kirkman, understanding his "novel" conceit, doesn't explain who the characters are, again and again for the monthly audience, or bother with many other trappings of the monthly.

Darwyn Cooke is adapting the novels of Richard Stark, upcoming, a series based on the Parker series. His NEW FRONTIER operates as a novel as well, assuming an audience for which comics does not now target, the reader, and their ability to comprehend subplots and resolutions over long periods and many pages.

Plus, JB, the work is ALL yours, published in book form devoid of ads, crossovers, or editorial mandates. I just can't imagine a better situation for a guy of your stature...even referring back to that Jack Kirby/Stan Lee/Joe Sinnott SILVER SURFER original trade, Kirby and Lee laid down perhaps the best work they'd done in almost a decade (well, the only work together, but still...)

(And I just love the art in that SS book...gorgeous)

A name guy like yourself needs to cut out the middleman and lay it out there, all yours (and whoever inks/colors/letters of course.)

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Ted Pugliese
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Posted: 30 September 2008 at 5:51pm | IP Logged | 7  

I like the idea, but I think I am more excited about your finishing Next Men or working on some new material than I am about the format.  Honestly, I am going to buy whatever you do, but this might help capture more readers who aren't already Byrne victims.
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Marcio Ferreira
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Posted: 30 September 2008 at 6:12pm | IP Logged | 8  

Art Spiegelman won the pulitzer with MAUS, I wonder what JB could do following that path. In my opinion, creating sequential art versions of famous books from Philip K. Dick, HP Lovecraft, Edgar Allan Poe or Isaac Asimov would be a great test for it. The demand would be enormous and it JB can focus on it's best skill. Do not get me wrong, he is a great writer, but as an artist, I think he is unbetable.
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Lars Sandmark
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Posted: 30 September 2008 at 7:21pm | IP Logged | 9  

Next Men as TPBs is a perfect idea!
JB with your work ethic and speed you could publish
the five TPBs bi-monthly.

Edited by Lars Sandmark on 30 September 2008 at 7:22pm
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Lars Sandmark
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Posted: 30 September 2008 at 7:37pm | IP Logged | 10  

This whole deal about writing for the trade stinks.
Comics should NEVER have changed their focus from monthly
Done-In-One stories and TPBs should only be considered as
an after-thought to the initial sale. But times change I suppose.

As a note Alan Davis has adopted an amazing technique, used to great effect in his Killraven mini-series.
(His recent Clandestine mini as well)
-Each issue ends on a cliff hanger but the next issue's splash page is simply the 'next page'.
It is an incredibly subtle difference, but in TPB form it's seamless.
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Paul Greer
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Posted: 30 September 2008 at 7:43pm | IP Logged | 11  

I do like the idea of seeing books like Ciitizen Zero or a Sci-Fi Queen Elizabeth story done as stand alone trades. The plus side to stand alone trades is that you don't have to worry about the drop off retailers automatically give new monthly titles. If one trade has an initial order of say 10,000 copies there should be enough time for sell through and reorders that retailers could better determine the orders for the next stand alone. In theory this should ensure that this type of book will find the audience it needs since it has a longer shelf life.
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Kip Krasean
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Posted: 30 September 2008 at 9:16pm | IP Logged | 12  

LOTR by JB

- but I'd buy a Next Men TP the second it came out

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