Posted: 20 March 2008 at 6:57am | IP Logged | 10
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Actually Bendis' dialogue and stories do tell you a lot more than you think. I've been studying symbolism for the past few years including characterization and what not in order to become a writer and I've found that he's hinted a lot to the past through his dialogue and use of illustration. Like for example in Mighty Avengers when Simon is talking to his agent and the agent swears and Simon tells him don't swear. Bendis was alluding to how Simon is trying to be a good role model in spite of his past mistakes. Or how in Avengers Disassembled that skrull that was there was a hint to Secret Invasion or how in the Pulse #1-#6 the image of Jessica dreaming about just her and the baby alluded to her possible break-up with Luke Cage.
As for the topic at hand. There are three writers I don't get why they are popular and I usually get stoned for when I mention their names.
Grant Morrison -- I understand he's obsessed with symbolism, but his lack of understanding when it comes to characters like Superman, the X-Men, and such really makes my stomach turn. I don't get how fans could find his New X-Men run so great when he reduced Magneto to a two dimensional villain whose motivations was to just kill humans. Or how he changed Professor Xavier from his Martin Luther King Jr. Style mutant activism to Malcolm-X style slash and burn tactics.
Joe Casey -- I just don't get why this guy gets so much love. All he does is obsess over corporate intrigue, but he seems to forget that he is working with super heroes half the time. Every time he's on a super hero comic he comes up with ideas that always have something to do with corporate intrigue and they always revolve around established super hero characters doing nothing, but talking about big business and capitalism. I'd tolerate Casey more if he actually did something with the books he wrote instead of wasting all of his pages having the characters talking instead of doing something about their fears.
Garth Ennis - I honestly don't find any of this guy's work appealing. It's always depressingly cynical and over the top violent. I like action as much as the next guy, but only if its used in necessary doses according to the plot.
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