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Topic: What constitutes a swipe? (Topic Closed Topic Closed) Post ReplyPost New Topic
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Felicity Walker
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Posted: 23 February 2008 at 5:34pm | IP Logged | 1  


 QUOTE:
That Hulk panel, immediately above, demonstrates one of the small artistic failings it took me longer than any other to shake. Notice how, because I am right handed, all the rocks are leaning to the right?


Argh! I never would have noticed that before, but now I’m going to check every time I read a John Byrne comic and there are rocks. Damn it. :-)
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Erik Larsen
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Posted: 24 February 2008 at 2:09pm | IP Logged | 2  

 John Byrne wrote:

When we look at the Liefeld and McFarlane swipes, we see what is, at
heart, the basic problem with many swipes: they aren't being done
because the artist has a particular problem to solve, and turns to an older,
wiser hand who has already solved it. They are done because the artist
thinks the original image is "cool" and wants to claim it for himself.
Particularly true, this, in the case of the Liefeld sequence lifted from
Miller's RONIN. In order to get to that double-page spread, Liefeld had to
be "aiming" for the swipe. This isn't a case of "Oh, how can I draw this?"
It's a case of "I want to use this as my work."


That sounds suspiciously like mind-reading, to me. I thought that sort of
thing was frowned on around these parts.

Ronin was a high profile project for Frank Miller--the shot was from the
first issue--the best selling issue in the series. I can't imagine that Rob
thought he could "claim it for himself." There's no way that he thought a
swipe of a double-page spread from a high profile Frank Miller comic
could slip by unnoticed.

Todd swiped a lot in his early days--as the years went on he did it less
and less. Clearly he thought, in regard to the Hulk, that you got it right.
Todd did an issue of Daredevil, which almost entirely swipes. The thought
process was something along the line of, "If they want Frank Miller--I'll
give them Frank Miller." I don't think it really occurred to him that swiping
was wrong. From talking to him at the time--it sounded more like an
attempt to "give the audience what they wanted." When there was
something of an uproar about it--Todd cooled it. There are still
occasional swipes in his later work but not nearly as many as there were
early on.

There's no hard ethical consensus when it comes to swiping. There are
editors who encourage it and readers who don't care one way or the
other. For a number of artists--swiping is justified as trying to give the
fans the best possible comics. If that means swiping from an artist that
they thought got it right--they'd do that.
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Al Cook
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Posted: 24 February 2008 at 2:15pm | IP Logged | 3  


 QUOTE:
That sounds suspiciously like mind-reading, to me. I thought that
sort of thing was frowned on around these parts.


Or, if you didn't want to sound snotty about it, you could say "Is it possible
you might be doing some mindreading yourself on this one, JB?"
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Knut Robert Knutsen
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Posted: 24 February 2008 at 2:27pm | IP Logged | 4  

"There's no hard ethical consensus when it comes to swiping."

Well, actually .. there I think there's a sharp dividing line between those who swipe and those who do the swiping. 
Part of the great uproar against Lichtenstein and the reason he got called on the carpet by the NCS was his outrageous swiping. Then he got embraced by the "Fine Art" crowd and the comic book publishers weren't going to take them on. Not after decades of being vilified as trash. They saw "Pop Art" as a way of gaining legitimacy when it was just another way for people to point and laugh at the "trashiness" of comics.

If comics are a serious medium, then if serious ethical standards haven't been enforced in the past, they should be now.

Anyway, I thought the point of THIS debate was trying to find (for this small corner of the net anyway) some hard ethical standards and definitions that we could agree on?

One consensus that I think has always been there is that if you swipe too much, you're an indifferent  hack. And for an industry that never had much money or fame to spread around, a hack who cared so little for his craft and integrity that he'd swipe not just out of necessity but as a rule, a guy like that wouldn't get any respect from his peers.

And that, I think, is the only way you can look at it. Wally Wood may have even had a code that was pro-swiping, but his peers still respected him. Liefeld swiped a lot and was very obvious about it  and at this point I don't think there are many artists who have any respect for him as a professional because of it. (He seems to be the butt of an extraordinary number of jokes at least.)

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F. Ron Miller
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Posted: 24 February 2008 at 3:19pm | IP Logged | 5  

>> I can't imagine that Rob
thought he could "claim it for himself." There's no way that he thought a
swipe of a double-page spread from a high profile Frank Miller comic
could slip by unnoticed. <<

I think that's besides the point considering the era in which the swipe
takes place. One of the pervasive artistic conceits of that era is the
'quote'. One can find it all over any given Tarantino film or listening to
any number of pop songs that willfully 'sample'. Those inclined to make
this gesture knows full well that some of the audience is 'in on it'.
Appropriating imagery this way serves the artist on all sorts of levels. It
says 'I only take from the best', 'My story is reverencing that story --see
the parallels? --see how the greatness rubs off?'.

For the hapless viewer uninitiated in the arcanna of comics, film or music
history --depending on the medium-- the artist also becomes the 'first'
to create such a scene in the viewer's eye. Truly, there are as many
people, if not more, who consider the glowing suitcase with mysterious
contents in Pulp Fiction to be Tarantino's idea. The Ronin 'quote' plays
the same way.

ed. for spelling

Edited by F. Ron Miller on 24 February 2008 at 3:38pm
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Andrew Hess
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Posted: 24 February 2008 at 4:47pm | IP Logged | 6  

Color me hapless: Tarantino didn't come up with the glowing suitcase idea? That (the fact we only saw the glow and never what was inside) was one of the only good things about that film.

So this is a case in point: I got taken in by that movie bit. I could well imagine someone who only read Marvel or only read super-heroes not knowing that Liefeld was "homaging" Miller with that Ronin rip-off*. And we all know that there are many people who were definitely in one of those camps, especially at the time those New Mutant books came out.

 

* I know at the time Ronin came out that many people didn't pick it up precisely because it was published by DC and not Marvel. Because Miller had "defected" to DC. (To quote a friend: "there's no way I'm going to pick that up! DC only publishes crap!")

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Andrew Hess
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Posted: 24 February 2008 at 4:50pm | IP Logged | 7  

And those Batman swipes broke my heart the first time I saw them last year. This early Batman art may not have been great, but I thought it was a good beginning. Little did I realize that Kane wasn't standing on the shoulders of giants, but was tracing over them.
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F. Ron Miller
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Posted: 24 February 2008 at 4:54pm | IP Logged | 8  

Andrew--

Please allow me to direct your attention to the noir classic
KISS ME DEADLY a terrific Mickey Spline story and the source of that particular
swipe/tribute/rip-off/hommage/sample/quote/style-choice.
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Jesus Garcia
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Posted: 24 February 2008 at 5:10pm | IP Logged | 9  

Miller himself is not above swiping or at least borrowing.

Bruce Wayne's dialogue in Miller's 1986 DK ("There nothing wrong with you, Joker, that I can't fix with my hands") sounded like it came straight out of a Spillane Mike Hammer novel. Really. And then there's Batman attacking Superman with a sonic gun, Batman hitting the sauce, Batman getting down and dirty street figthing in a mudhole, deliberately breaking his opponents limbs one by one, Selina as a Madam, etc, etc, etc.

Really. Read some Mike Hammer and then re-read Dark Knight 1986 and see what you think.

Given Miller's apparent fascination with Noir and Crime Fiction (anybody read Sin City?) this leaves me wondering whether Miller was paying homage, swiping, borrowing, mixing genres, etc, etc, etc.

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John Byrne
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Posted: 24 February 2008 at 7:12pm | IP Logged | 10  

Re: Nathan's post at the top of this page.

The very first image the public saw of the Bat-Man was a swipe!

Hell has ten circles, and one of them is just for Bob Kane!
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Robert Bradley
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Posted: 24 February 2008 at 7:14pm | IP Logged | 11  

Let's see - swiped imagery and a ghost writer who he never credited.... what exactly did Bob Kane contribute to the Batman as we know him?

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Lars Sandmark
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Posted: 24 February 2008 at 7:27pm | IP Logged | 12  


I've been mulling something over...
_"mind reading"_
     OR
educated guess? Hmmm.
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