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Topic: Whatever happened to the X-Men? (Topic Closed Topic Closed) Post ReplyPost New Topic
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Brad Hague
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Posted: December 12 2007 at 7:34pm | IP Logged | 1  

I kind of liked the Magneto that Claremont/Byrne portrayed in Uncanny X-Men 112-113.  I also liked that Magneto showed remorse for the death of Phoenix in X-Men 148-150.
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Sean Blythe
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Posted: December 12 2007 at 8:01pm | IP Logged | 2  

JB:

I agree with most of your post above. The one aspect I take issue with is
the "coughing along on life support" comment. Agreed, the comics
medium today doesn't hold the place in society it once did, but the
appeal of the characters still thrives. Witness the success of the Spider-
Man and X-Men movie franchises.

As for the comics themselves: due respect, I think you have a blind spot
in this area, albeit one that comes from a positive place. Fact is, no one
writes and draws traditional superhero stuff like you do. Period. It's not
just that you get it -- you get it and you have an extraordinary talent that
allows you to deliver on it. I think your commission work is the purest
example of this. I look at some of that stuff and I think (to quote Gerry,
maybe?): "Damn. I wish I was a kid again." Believe me, I understand why a
lot of the new stuff offends your sensibilities. You don't think so (fanboy!)
but you're among the best there ever was at the classic form of the genre,
and I can imagine that anything that crosses that traditional line pisses
you off.

But not everyone's John Byrne. That's not where everyone's head is. Grant
Morrison (controversial example, but still) is a very talented man who
seems to have made it his life's mission to fuck with a lot of the things
you hold dear. That doesn't make him wrong, that just makes him
different. And interesting to a lot of people (some of us like you both,
including, from what I read, Morrison himself). I guess your argument
could be "Not as many people as there used to be", but that's the nature
of the beast. As people embrace new media, stuff fragments, numbers
drop. We all know that.

The thing that's cool about comicbooks, though, is that the medium
seems to adapt infinitely. Yes, the X-Men got way too complex for some
tastes. But then, allofasudden, there came Whedon's Astonishing run,
which (rose-growing aside) is one of the best X-runs ever. (I've had the
X-runs... you don't want them.)

I'm just sayin', the medium can adapt, and that's what's so cool about it.
For every Mcfarlane, there's a JR Jr. For every Dr. Fredric Wertham there's
a Michael Chabon.

Then again, I may be wrong.

edit: damn plurals.





Edited by Sean Blythe on December 12 2007 at 8:03pm
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Sean Blythe
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Posted: December 12 2007 at 8:17pm | IP Logged | 3  

P.S. Brad: X-Men 112 was my first ever. Tremendous!!!

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Michael Huber
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Posted: December 12 2007 at 8:18pm | IP Logged | 4  

But comics are made by people, and people are always going want to do
the different thing, the new thing, the more complex thing.

Compare the original KING KONG and the JACK BLACK (apologies, cannot remember the directors name) version that just came out, which is "better"? Did the new one "change" the main character? Did it damage it? Did it draw a new audience and still entertain the old admirers? And this was created by a self proclaimed "fan" of the old movie.

I don't think it alienated the older audience, or reduced the venues it was accessably viewed/marketed through, I do think it opened up the story to a new audience, which the "funny" books today are not doing.

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Sean Blythe
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Posted: December 12 2007 at 8:24pm | IP Logged | 5  

Michael:

Agreed.

Personal anecdote. I go to the Telluride Film Festival every year, and they
have an outdoor theater. Two years ago, I was drinking at the bar across
from that theater, and went out to grab a smoke -- they were playing the
original King Kong. I lucked into the Kong vs. T-Rex fight, all stop-
motion-y and and cheesy. And the crowd (and I) were cheering. It was
awesome.

Point is, that's my point. The originals will always be there, and will hold
the
same power they used to. The new -- crappy though it may be -- doesn't
eliminate the old. It's all just work.

P.S. You were looking for Peter Jackson

edit: line endings, and the word "agreed"

Edited by Sean Blythe on December 12 2007 at 8:26pm
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Paul Kimball
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Posted: December 12 2007 at 8:26pm | IP Logged | 6  

Comics are getting new readers, just not clear if it's enough new readers.
Time will tell.
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Scott McKeeve
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Posted: December 12 2007 at 9:11pm | IP Logged | 7  

"I think when he asked for 9/11 to be left out of the discussion, he did so
for the reason that that day still can't be discussed rationally -- that it's
all just too fresh in our minds, and any suggestion that those terrorists
had a reason to do what they did... well, you see the minefield that line of
thinking is bound to become. "

Thank you, Sean. That was my singular point in regards to (not) using 9/11.

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Al Cook
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Posted: December 12 2007 at 9:19pm | IP Logged | 8  

"that day [9/11] still can't be discussed rationally"

Well, yes, of course it can.
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Sean Blythe
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Posted: December 12 2007 at 9:23pm | IP Logged | 9  

Al:

It can, by like minded people (i.e. people who seek rational discussion) but
not my many others. Bill Maher would agree.

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Scott McKeeve
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Posted: December 12 2007 at 9:28pm | IP Logged | 10  

"And again I'll state that the entire problem with your argument in this thread is that you are taking moral relativism as a fundamental truth. Citing examples that would bolster your argument given that moral relativism is a fundamental truth does nothing to advance your argument with people who do not accept the premise it is built upon."

Michael, the problem of my argument isn't that I'm talking moral relativism. The problem is, as you say, other don't accept the premise of moral relativism. But it's a valid and accepted philosophical position, whether its detractors agree with it or not.

I purposely did not mention moral relativism during my argument for fear that we would then get into a huge philosophical discussion. I would be quoting Sartre and someone else would be quoting Bertrand Russell or Karl Marx. Then someone else would bring up the case of moral objectivism vs moral relativism. And then this debate would go on and on, page after page.

Finally, someone would counter with one of Gödel's incompleteness theorems, whereby none of us can never win an argument.

But, once again, this would be something of a tangent.

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Michael Roberts
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Posted: December 12 2007 at 9:36pm | IP Logged | 11  

I purposely did not mention moral relativism during my argument for fear that we would then get into a huge philosophical discussion.

---

That philosophical discussion is the basis of your entire argument, so not wanting anyone to discuss that is pretty much just demanding that everyone acknowledge that you are right and move on.
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Scott McKeeve
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Posted: December 12 2007 at 9:38pm | IP Logged | 12  

"And when I introduced 9/11 I also offered Hitler, Stalin, Pol Pot and as many
history books as he cared to reference for other sources of real world
villainy. Same post. Yet he chose to narrow focus on 9/11, doing his best to
poison the well and avoid having to actually address the points I raised.

He's been remarkably successful, too, so far. "

Fine, JB. Challenge accepted. What points have you raised that I haven't addressed? I hope you don't really believe that I've been avoiding anything that you countered with. So far, your arguments have not been that adept.

And, btw, I still insist that I think Magneto is a villain but I also still insist that you can easily make the case that he is not. And I've not read anything in this thread to make me think otherwise.



Edited by Scott McKeeve on December 12 2007 at 9:38pm
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