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Gerry Turnbull
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Joined: 16 April 2004
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Posted: 23 October 2008 at 7:15am | IP Logged | 1 post reply

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Scott Daggett
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Joined: 26 February 2008
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Posted: 23 October 2008 at 7:21am | IP Logged | 2 post reply

I guess I should have posted my thread topic that I posted yesterday (now deleted) about Randy Bowen's short cut practices here in this thread.  If anyone wants to be informed about what he's doing, go to the statue forums website and find it on your own.



Edited by Scott Daggett on 23 October 2008 at 7:29am
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Cliff Richard
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Joined: 10 September 2008
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Posted: 23 October 2008 at 9:07am | IP Logged | 3 post reply

where is that Superman supposed to be from?

(I fear the answer...)


Edited by Cliff Richard on 23 October 2008 at 9:08am
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Gerry Turnbull
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Posted: 23 October 2008 at 9:13am | IP Logged | 4 post reply

Cliff, thats supposed to be JB's Superman
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Scott Daggett
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Posted: 23 October 2008 at 10:00am | IP Logged | 5 post reply

The Superman face doesn't even come close to JB's.

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Anthony Frail
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Joined: 09 October 2007
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Posted: 23 October 2008 at 10:02am | IP Logged | 6 post reply

This talk of "Kirby's art style" being captured in these figures just makes
me sad. Kirby's style could never be captured in an action figure. Oh,
sure, the sculpture could incorporate the most superficial elements of
how Kirby drew -- the stocky figures, the stylized musculature, the
square jaws and flat fingertips -- but those are, if anything, the greatest
weaknesses of Kirby's art. His true skill lay in the scope of his
imagination and, most importantly, the sheer POWER of what he drew.
The almost manic energy that seemed to be bursting from almost every
panel.
That's not something that can be captured in static plastic.


****

I can appreciate and respect where you're coming from, and to a large
extent agree with you. Kirby's work is always in motion, always jumping
and straining and moving, while an action figure is merely a piece of
molded plastic sitting on one's book shelf.

That said, the superficial elements of Kirby, the weaknesses you speak
of, have their charm to me. The square knee caps, the blocky torsos, it's
all very appealing to me for whatever reason.

It's kind of like Joe Shuster-- certainly not the most skilled artist to draw
Superman, but one of my favorites for some odd, intangible reason.
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Pascal LISE
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Posted: 23 October 2008 at 12:54pm | IP Logged | 7 post reply

I, too, don't see these as weaknesses but rather obvious parts of a strong personal style.

Edited by Pascal LISE on 23 October 2008 at 12:56pm
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Philippe Negrin
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Posted: 23 October 2008 at 1:47pm | IP Logged | 8 post reply

That's a rather interesting debate here : Is a distinctive style in an artist the result of his strengths or his weaknesses ? What should a debutant artist do, try to make his mistakes disappear or turn them into his own personal style? It's strange because I can accept this theory for Kirby, Ditko or Infantino, for example, but in the case of more recent artists like JB of course, or Perez or Alan Davis, it's less obvious...
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John Byrne
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Posted: 23 October 2008 at 2:17pm | IP Logged | 9 post reply

Is a distinctive style in an artist the result of his strengths or his
weaknesses?

**

Both.
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John Byrne
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Posted: 23 October 2008 at 2:20pm | IP Logged | 10 post reply

The Superman face doesn't even come close to JB's.

••

No -- but it has superficial elements of my work, in the same way the Kirby
Superman has superficial elements only. Basically, they both look like they
are modeled on the work of someone who is trying to draw like me, or
like Kirby -- and missing the finer points.
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Pascal LISE
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Posted: 23 October 2008 at 2:32pm | IP Logged | 11 post reply

John Byrne said :
"Both."

YES!
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Chad Carter
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Joined: 16 June 2005
Posts: 9584
Posted: 23 October 2008 at 4:31pm | IP Logged | 12 post reply

 

I think if it's a JB Superman, it should be smiling.

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