Posted: 09 March 2007 at 12:36pm | IP Logged | 8
|
|
|
JB - I think there can be a case for deconstructing a character if the writer is doing it with the true character in mind.
I have no problem with a writer coming on, throwing some stumbling blocks (emotional, physical, whatever) in the path of the character, causing that character to behave uncharacteristically. So long as it is agreed the behaviour is not characteristic and the changes are not permanent, the writer is left with a way to triumphantly return the character to the status quo - in serial fiction, the journey is the fun part and the destination is the illusion of change, but no real change because the story needs to keep happening.
Now, what construes a permanent change? I think the Hulk murdering thread does. It would be interesting to explore Banner's reaction to Hulk killing someone (that's why the early Bruce Jones run was good) and it would be interesting to deconstruct the character that way - so long as the apparent murder was actually a frame up and Hulk was innocent, we could still have that territory covered and the Hulk reaffirmed as a hero - OF COURSE he didn't kill, glad he got to the bottom of the mystery and now we go on to the next adventure.
Coming in and deconstructing the characters to the point where they are, coming out, either drastically different or irredeemable, is of course totally wrong and should never be done with any character. If you don't like the character, don't use them, and create one to suit your needs.
I like to think of that as the Giant Size X-Men #1 method - not that people didn't like the X-Men, of course, but new characters and a different dynamic were brought in to spice things up and give the book a kickstart. Nowadays, Iceman would be written out of character to fulfill the Wolverine role instead of Wolvie being used, and Beast would suddenly remember his Irish roots (just as his fur turns RED) and start speaking in that ol' Irish brogue to fulfill the Banshee role. Those characters wouldn't have been created because another character would just change enough to suit the needs of the writer.
|