Posted: 11 June 2006 at 2:56pm | IP Logged | 8
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'Personally, I think Moore is very over rated and that many fans,creators,and critics give him a pass (and often praise him) for doing crappy work simply becuse he is Alan Moore. I still say that Barbra (sp) Gordon would still be walking and being Batgirl if she was not crippled in the KILLING JOKE. I believe (and I could be wrong) that there are a number of editors and creators out there who are afraid to retcon/reverse anything that Moore has done to a DC or Marvel character in the past. The worship and butt kissing of Moore has gotten so bad and rediculous that a few years ago Marvel editor Axel Alonso called Moore up to ask him for his permission to use Captain Britain and the charactrs Moore co-created durring his run on that series with Alan Davis, for a proposed Captain Britain comic. Excuse me, Moore did not create Captain Britain, and the last time I checked he does'nt own any of the characters he co-created for Marvel. I have to wonder if Alonso would have taken the time to call creators living here in America to ask them for their permission to use characters that they created. "
I'm not sure I get this. You're saying that Barbara Gordon's crippling is still in effect because Moore's work altered the character forever. I don't think there's ever been in a case in any medium using characters owned by major companies like DC, whether TV, movies or novels, that the company will not change. Kojak turns black. Nick Fury turns black. Starbuck turns female. Lois Lane goes from her mid-30s to her early 20s in a sequel. X-Men stop wearing costumes. Are you seriously suggesting the comics world thinks so much of Moore that they would not have Barbara Gordon healed by magic or whatever and simply remove the fact of it? I think Gordon's crippling might be seen as a watershed moment, like the Question getting shot in the head and becoming a kung fu man. The company must have felt more could be done with Gordon as she is. Maybe too there's the whole idea that the Huntress took the role Gordon once inhabited, and with Black Canary already running around, that's a lot of femme fatales in tights who basically do the "Batman". The cripple angle must be good for the kind of story-telling the company wanted done, that's all. Either it's shockingly simple to give Gordon her legs back or DC prefers writers work the angle. But I seriously doubt it's because Moore is such a God that no one will alter his work.
And the whole Captain Britain thing seems a bit overstated. Maybe that editor was one of those PC touchy feely types who wanted to get on Moore's side. I doubt Moore was approached for permission to use Captain Britain specifically, when it's pointed out that the secondary characters Moore created is actually the real reason. As CB had reached some popularity at the time, and a bunch of continuity was put in place, the work that Moore had done was something this editor wanted to kickstart with other creators. Going to Moore to use his "version" of the character and the universe he put together for that character makes sense to me. That's not ass-kissing, that's making sure a name brand guy (at the time) like Moore doesn't rant and rail and create bad press. Of course, why the editor just didn't do what he wanted and simply disregard Moore's contributions doesn't make sense either, considering it isn't necessary for "continuity" with a character like CB who had a blip of popularity for a time, in America at least.
Anyway, I fail to see what Moore has done to directly draw the kind of ire he has. No, he's not Steve Englehart or John Byrne or Roger Stern, producing no-frills good comics anyone could read. That's not in his language to do that, and a shame to boot. You can rightly blame him for the dark turn comics have taken, but Frank Miller needs to catch some flak for that as well. I mean, Miller's Batman (and I love DKR) has alienated the fan base of the character for anyone who read him before 1988 or so. Moore may have created an atmosphere, but Miller evolved the one-celled organisms in the muck. Punisher, Deathstroke, Deadshot, Wolverine, all great characters and all with direct lineage to Miller's style choice which forever changed how "violent" characters were shown, leading to the Dark Age as it should be called, the 90s. The 90s stemmed a horde from Miller more than Moore, who was much too romantic and flightly for the fanboy pop, I believe.
Personally, I prefer a real division in my comics. Give me the hardcore stuff in its own creepy hardcore world, like Conan and TOMB OF DRACULA used to be in the 70s. Then give me the adventure stuff and superheroics of FF and JLA and Avengers that any kid could pick up, and which reminds me of when I was young and the whole world was in front of me. Everyone has forgotten how to just relegate stuff where it is supposed to be and let the division be firm. SAGA OF THE SWAMP THING had the great "Suggested for Mature Readers" label. There you go, plain as day, what you're getting. Nowadays you never know what's going to happen, beheadings by Wonder Woman, surgical nuturing by Reed Richards, Thor with VD, there's no end to it.
Edited by Chad Carter on 11 June 2006 at 2:59pm
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