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Topic: And awaaaaayyyyy we go...(Civil War-spoiler-badness)..... (Topic Closed Topic Closed) Post ReplyPost New Topic
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Mig Da Silva
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Posted: 09 June 2006 at 2:18pm | IP Logged | 1  

Where's the punch button on my keyboard?
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Juan Jose Colin Arciniega
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Posted: 09 June 2006 at 2:22pm | IP Logged | 2  

My god...it's true!!...M***** is gonna dare!..
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Greg Kirkman
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Posted: 09 June 2006 at 2:25pm | IP Logged | 3  

I expect Peter David to whine about how the spoilers are ruining the experience of actually reading the comics (like he did regarding the "Uncle Ben is alive" thing a while back).

This coming from a guy who wrote nearly all of his recent Comics Buyers' Guide columns solely as attempts to defend "The Other".



Edited by Greg Kirkman on 09 June 2006 at 2:26pm
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Greg Kirkman
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Posted: 09 June 2006 at 2:28pm | IP Logged | 4  

...Spider-Man that was still hanging on by a thread ...
******
Ha! That's a good one!

+++++++++++++

 

Yes, I am capable of subtle jokes.



Edited by Greg Kirkman on 09 June 2006 at 2:32pm
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Greg Kirkman
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Posted: 09 June 2006 at 2:31pm | IP Logged | 5  

 

I won't deny that the unmasking of Spider-Man is a definite, deliberate attempt to give the event a  "shock and awe" moment, but after reading the story, all parts of it, and more importantly, AMAZING SPIDER-MAN #532, I can say with no doubt in my heart or mind that the path that took Peter to unmasking was both organic and believable.  Aunt May's speach, with the exception of one line, was one of the most emotional sets of dialogue I've ever seen in comic book form. 

+++++++++++++++

More fanboy jerk-off "cathartic realism", right up there with stories like Peter having a long, "realistic" talk with May after she found out his true identity early  in JMS' run, and Peter telling May that he may have accidentally killed Gwen Stacy (and May subsequently forgiving him).



Edited by Greg Kirkman on 09 June 2006 at 2:31pm
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Jonathan Weiss
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Posted: 09 June 2006 at 2:37pm | IP Logged | 6  

This reminds me of that period of time somewhere in the early to mid-
nineties where everything at M****L went unintelligible. All art was done by
really bad McFarlane knock-offs. Clones were created. Story lines became
confusing as hell. And then all of a sudden - quality writers and artists came
in and told their stories and all of that crap was lost to the ether. There are
no trade paperbacks of those stories. Hopefully, this too shall pass and be
largely forgotten. And maybe one day when a kid picks up Spiderman or the
X-Men or the Avengers without all the baggage we come to the table with it
will give them that same feeling of magic that it gave us the first time out.
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Greg Kirkman
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Posted: 09 June 2006 at 2:40pm | IP Logged | 7  

History is repeating itself.

Except this time, the focus is on writers instead of artists. The pendulum has swung toward the other extreme.

I expect the bottom to fall out pretty soon, just as it did with the Spectator Boom of the 90s.

 



Edited by Greg Kirkman on 09 June 2006 at 2:40pm
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Paul Whannel
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Posted: 09 June 2006 at 2:45pm | IP Logged | 8  

"More fanboy jerk-off "cathartic realism", right up there with stories like Peter having a long, "realistic" talk with May after she found out his true identity early  in JMS' run, and Peter telling May that he may have accidentally killed Gwen Stacy (and May subsequently forgiving him)."

1.) and you'll forgive me in advance if I'm "reading you wrong", but I don't really like the fact that your post seems rather . . . insulting, to me, because our tastes differ.

2.) I find the idea that people (Joe Quesada included, apparently) are clinging to the "everyman" image of the Lee/Ditko Spider-Man puzzling.  How long ago was it that Peter married MJ?  20 years? If that's being "defined" as a "Jump The Shark" moment, where Peter went from being an "everyman" to a fantasy hero, and people are still clinging to an image of Peter Parker/Spider-Man that hasn't existed for two decades, I have to ask: who are the real "fanboys"?  The people who adapt to the way comics are being written, or the people who think things need to revert to how they were back when they started reading comics? 

3.) You'd rather May not forgive him?  Did you want her to throw a bottle of wine at his head, tell him he's a horrible person, and kick him out of her home and life forever? 

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Mig Da Silva
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Posted: 09 June 2006 at 2:47pm | IP Logged | 9  

Back then they had 1.000.000 sale numbers to fall of from.

I wonder if when selling 30.000 on average there's any leeway to fall from anything.

Even falling from such a high 90's number caused Marvel to go bankrupt.

Any fall would cause the closure of the already anorexic LCS shop network distribution that still endures.

We are looking at very, very, serious irresponsible play going on here.
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Juan Jose Colin Arciniega
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Posted: 09 June 2006 at 2:56pm | IP Logged | 10  

Where's my remote control?
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Mig Da Silva
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Posted: 09 June 2006 at 2:57pm | IP Logged | 11  


 QUOTE:
Except this time, the focus is on writers instead of artists. The pendulum has swung toward the other extreme.


I have always maintained that BENDIS! was the Rob Liefeld of writing.
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Jason Fulton
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Posted: 09 June 2006 at 2:57pm | IP Logged | 12  

You guys just aren't kewl enough, so you don't get it. Don't you see? Millar is saying that comic book guy should emerge from his parent's basement and proclaim his love for the form!
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