Author |
|
Dave Powell Byrne Robotics Member
Joined: 14 November 2006 Posts: 588
|
Posted: 03 February 2007 at 11:00pm | IP Logged | 1
|
|
|
Scanning through I've seen seemingly contradictory opinions of Jim Shooter from you. He gets your defense sometimes when people talk of his stories and some of his editorial decisions. Then we hear stories of his random edicts, single issue stories, Phoenix must die, let's replace all the heroes with legacy heroes.
This is a legitimate question from me, not meant to be inflammatory, Jim Shooter's run as EIC ranks as my favorite time in comics. I saw his ego shine through, but there always seemed to be some respect also. Who was Jim Shooter to Marvel while you were there? Demon, Angel, Leader, Destroyer? In your opinion, of course.
|
Back to Top |
profile
| search
|
|
John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 133571
|
Posted: 04 February 2007 at 5:40am | IP Logged | 2
|
|
|
Scanning through I've seen seemingly contradictory
opinions of Jim Shooter from you.
****
There's nothing "contradictory". Sometimes he was
right, sometimes he was wrong. The longer he
stayed on as EiC, the more it became the latter.
IMHO.
|
Back to Top |
profile
| search
|
|
Stéphane Garrelie Byrne Robotics Member
Joined: 05 August 2005 Location: France Posts: 4226
|
Posted: 04 February 2007 at 5:52am | IP Logged | 3
|
|
|
The problem being that excepted sometime DeFalco (We got your Namor and Mark Gruenwald's Quasar for an exemple), the following EICs have all been worse than Shooter.
And Shooter's first years were a new golden age to Marvel.
Edited by Stéphane Garrelie on 04 February 2007 at 5:52am
|
Back to Top |
profile
| search
|
|
Eric Smearman Byrne Robotics Member
Joined: 02 September 2006 Location: United States Posts: 5839
|
Posted: 04 February 2007 at 6:02am | IP Logged | 4
|
|
|
I agree w/ JB. I've seen him give Shooter credit when it was due ( the John Byrne Modern Masters volume as well as other places.). And John was hardly alone when it came to criticizing Shooter's less- than stellar moves.
If I may be so bold, JB seems to be one of those "bluntly honest" types. He calls it as he sees it and lets the chips fall where they may. I have friends like this and they keep me honest. More people should be like this.
I apologize to Mr. Byrne in advance if he considers this inaccurate.
|
Back to Top |
profile
| search
e-mail
|
|
John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 133571
|
Posted: 04 February 2007 at 6:59am | IP Logged | 5
|
|
|
I plays 'em as I sees 'em!
|
Back to Top |
profile
| search
|
|
Brad Hague Byrne Robotics Member
Joined: 19 December 2006 Location: United States Posts: 1717
|
Posted: 15 February 2007 at 9:27pm | IP Logged | 6
|
|
|
I can see this. I remember Jim Shooter appearing to inject a whole new vitality into Marvel Comics from about 1978 to about 1983, maybe 84. However, I think alot of credit should go to Archie Goodwin for getting the Star Wars books going. It's my understanding that Star Wars from about 1977 to 1980 had a lot to do with Marvel overwhelming DC. And truth be told, my first comics were Star Wars as well. I wish JB could have done more with that series, although we do have the cover to issue 13.
But I do see Shooter fullfilling Claremont-like dialogue "with power comes corruption... with infinite power comes infinite corruption." Okay, maybe Shooter wasn't infinitely corrupt, but once an idea of his worked, he seemed to think ALL his ideas were amazingly great.
Ooohh, Contest of Champions sold out... Let's do Secret Wars. What, everyone thought that was good too? Let's do Secret Wars 2 and make every title do a crossover. And let's create a whole New Universe and all glory go to me. And let's create a kids line called Star Comics all glory be unto me. I'll share a little Epic glory with Goodwin... because I'm a good guy.
I can totally see that.
Also, at first, Shooter appeared really good at attracting good talent or enticing them to come to Marvel. But by the end, he has lost most of the better artists.
DeFalco was okay. Certainly better than what followed.
Edited by Brad Hague on 15 February 2007 at 9:28pm
|
Back to Top |
profile
| search
|
|
David Whiteley Byrne Robotics Member
Joined: 16 April 2004 Posts: 2748
|
Posted: 15 February 2007 at 9:53pm | IP Logged | 7
|
|
|
One wonders what the current state of Marvel would be if he successfully
managed to purchase the company back around 1990... Or if he returned to
Marvel in the mid- to late 1990s...
|
Back to Top |
profile
| search
|
|
Kevin Tuma Byrne Robotics Member
Joined: 01 May 2005 Posts: 559
|
Posted: 15 February 2007 at 10:05pm | IP Logged | 8
|
|
|
Shooter sounds pretty similar to Michael Eisner at Disney. Big, tall, outspoken guy, marches to his own drummer--has lots of great ideas at the start of his tenure. But...
|
Back to Top |
profile
| search
|
|
Martin Redmond Byrne Robotics Member
Joined: 27 June 2006 Posts: 3882
|
Posted: 15 February 2007 at 10:51pm | IP Logged | 9
|
|
|
I liked Secret Wars 2. *lowers head in shame*
|
Back to Top |
profile
| search
|
|
Andrew Kneath Byrne Robotics Member
Joined: 16 April 2004 Posts: 2275
|
Posted: 16 February 2007 at 3:31am | IP Logged | 10
|
|
|
It's my understanding that Star Wars from about 1977 to 1980 had a lot to do with Marvel overwhelming DC.
How did the Star Wars title sell compared to Marvel's flagship titles of the day?
|
Back to Top |
profile
| search
|
|
Matthew McCallum Byrne Robotics Member
Joined: 03 July 2004 Location: Canada Posts: 2711
|
Posted: 16 February 2007 at 6:42pm | IP Logged | 11
|
|
|
There were a number of things that helped Marvel overtake DC.
Once they got their own distribution deal clear from National in the late 1960s, they were able to expand the number of books they could produce (no more shared titles). Prior to that, I believe they were restricted to just eight titles a month.
That ultimately led to the mid-1970s when Marvel was punching out somewhere around 60-plus books covering everything from super-heroes to monsters to science fiction to Kung Fu comics to talking ducks -- you name it. It wasn't as diverse a market as the 1940s, but it was a pretty creative period (when paradoxically everyone involved in the industry thought it was mere hours away from death). DC was caught flatfooted, but after changing management they expanded their line-up too. However, the DC Implosion in 1978 axed many of their new titles before they had a chance to get established, so Marvel was left with a good portion of the rack space by default.
Also DC and Marvel both increased the page counts and price tags of their books in the 1970s, with a new story backed by reprints. However, Marvel almost immediately cut their prices and dumped the reprints. DC didn't follow suit for about six months and it was during that timeframe that Marvel really took control of the market as more kids bought their cheaper books.
Looking back at it now as an old guy economist, DC has always liked targeting a higher price point. They were the first ones to introduce the 25 cent giants and the 50 cent giants. They introduced Dollar Comics in the mid-1970s (aka the 80 page giants) and the Baxter Format in the 1980s (aka the $5 comic). I'll throw this out to the group, but by and large, hasn't DC been the one to up their prices first?
Edited by Matthew McCallum on 16 February 2007 at 6:45pm
|
Back to Top |
profile
| search
|
|
David Whiteley Byrne Robotics Member
Joined: 16 April 2004 Posts: 2748
|
Posted: 16 February 2007 at 6:49pm | IP Logged | 12
|
|
|
My copy of the first issue of New Teen Titans baxter edition cost $1.50
Canadian, $1.25 US. Hardly a $5.00 comic.
The newstand edition out that same month, by comparison, cost 95 cents -
sorry, no US price given on the cover.
That said, I remember those copies of Godzilla I bought proudly proclaiming
"Still 35 cents!" I think you are right that DC went up first a few times.
The last few years, of course, has seen absurd attempts at exchange rate
prices for Canada from both companies.
|
Back to Top |
profile
| search
|
|